Concert in your area for Indie & Alt and Rock.
Find out more about Rock.
Johnny Marr, born John Martin Maher was raised in Manchester, England by his Irish-emigrant parents. With initial aspirations of being a professional football player, Maher started his first band, the Paris Velentinos, aged 13 with school friends, followed by the bands Sister Ray and White Dice. In 1980 the talented guitarist enrolled at Wythenshawe College, dissolved the White Dice band and formed a funk band titled Freak Party.
At the recommendation of previous White Dice singer Rob Allman, Maher approached Steven Morrissey, a punk singer with the band the Nosebleeds, who along with friend Andy Rourke and drummer Mike Joyce, formed what has been described as the most influential and important band to emerge out of the 1980s. The Smiths signed to Rough Trade Records and issued their debut single “Hand in Glove” in May 1983. The highly anticipated eponymously-titled debut album shot to No. 2 in the UK Albums chart and consolidated the considerable fan base.
The Smiths’ subsequent albums include the politically charged No. 1 album “Meat is Murder” in 1985, Spin magazine’s ‘Greatest Album Ever Made’ “The Queen Is Dead” in 1986, “The World Won’t Listen”, “Louder Than Bombs” and “Strangeways, Here We Come” all in 1987, and their last release “Rank” in 1988.
Post-Smiths, Maher featured as a significant session player for artists and bands like the Pet Shop Boys, Bryan Ferry, Talking Heads and Beck. On top of this he became an officiall member of the band the Pretenders in late 1987, formed the group Electronic with New Order’s Bernard Summer and formed Johnny Marr and the Healers in the year 2000. The band formed of Zak Starkey (son of Ringo Starr), Lee Spenser and Alonzo Bevan released their debut “Boomslang” in 2003.
In 2006 Maher became a full member of the American indie and alternative rock group Modest Mouse for the band’s 2007 release “We Were Dead Before the Ship Even Sank” and toured extensively in support of the album. A couple of years later in 2008 Maher imparted some of his skill and experienced wisdom on English indie band the Cribs. The collaboration led to Maher performing with the band across their UK and international dates and recorded the album “Ignore the Ignorant” with the Cribs in 2009.
After contributing to the soundtracks of films Inception and The Amazing Spider-Man 2, Maher released his debut solo album “The Messenger” on February 25, 2013, followed-by his second solo studio album “Playland” in 2014.
As the son of Ian Dury, Baxter Dury was surrounded by the hedonism of his father's difficult life yet also the musical magic that made Ian Dury such an incredible artist. Baxter was born shortly after his parents had left art college, being present for his father's various musical ventures, from Kilburn & the High Roads to Ian Dury & The Blockheads. As a child, Baxter struggled at school, being kicked out of several institutions before eventually leaving at 15, finding escape in the world of soul, jazz and funk.
Music was not an immediate pursuit for Baxter, before working in a watch shop and assisting with a number of indie films. It was not until nearing 30 that Baxter began to forge a music career, not long after his father's death in March 2000. Baxter travelled to Austin, Texas, US to begin recording songs, with the outcome being 2001's "Oscar Brown" EP.
Baxter returned with his album debut in 2003, releasing the visceral, folky, "Len Parrot's Memorial Lift," continuing this sound with his second, "Floor Show" in 2005. Bringing forth psychedelic influences into the mix, 2011's "Happy Soup" found Baxter greater success, finding critical praise with a sound reminiscent of Blur's Graham Coxon. His fourth record, "It's a Pleasure" arrived in October 2014, shortly after playing to a sell out show at London, UK's 100 Club.
Gig moved to Wed, March 2nd. So watched the Oscars instead. Always reminds me how many movies I haven't watched in the preceding year. Chris Rock was good, though. And Ali G.
Baxter is a salamander, an urban goose and we are getting to know how successful he is. Enigmatic and cheeky. Lovely band with him too, actually preferred the early stuff he did, some of current album sounded like it was reaching to achieve the studio sound.
Gorilla Mcr is good venue, intimate. But why do some people go to gigs and talk throughout! Stay home assholes.