The group has sold over 130 million albums worldwide with minimal support from the radio or mainstream media. Its music has gone silver, gold, and platinum over 600 times. It has won Grammys, Brit Awards, and countless other accolades. Iron Maiden played over 2,500 live shows, which are still regarded as some of the best out there.
Iron Maiden’s hard-hitting sound practically defined the genre of heavy metal and inspired bands like KISS, Metallica, and Avenged Sevenfold. Combine that with the band’s intelligent lyrics on topics like history, mythology, war, society, and literature, and it’s easy to understand why its appeal hasn’t faded.
Iron Maiden formed on Christmas Day of 1975. Bassist Steve Harris put together a short-lived original lineup, with only Harris and guitarist Dave Murray remaining in the band to the present day. By 1978, the rockers found vocalist Paul Di’Anno, whose raspy voice fit the group beautifully. Finding the right people occupied the group throughout the rest of the ’70s, and was a challenge for much of the band’s career, but it was by no means stagnant during this time.
Iron Maiden’s self-titled debut album dropped in 1980. It landed at number four on the UK Albums Chart and was lauded by journalists around the world. Iron Maiden included fan favorites like “Transylvania,” “Phantom of the Opera,” and “Running Free.” The group’s headline tour of the UK gained it devoted fans, as did its stints opening for Judas Priest and Kiss on tours. Its show at the Reading Festival in the UK 1980 drew 40,000 fans.
The band released Killers, its second studio album, in 1981. With better production and songs like “Murders in the Rue Morgue,” this album inspired decades of speed metal to come. Iron Maiden’s success launched a world tour that took it to the United States for the first time.
1981 saw the dismissal of Paul Di’Anno due to drug use and his replacement by Bruce Dickinson, who remains the lead singer today. Over the next ten years, the band’s eight subsequent albums like The Number of the Beast (1982), Piece of Mind (1983), and Seventh Son of a Seventh Son (1988) are living testaments to the prolific creativity and work ethic of the group.
By the end of the ’80s, Iron Maiden was arguably the best metal band in history. Its live shows had progressed to unprecedented grandeur, with a 100,000-watt sound system and highly-innovative light shows. It toured with groups like Anthrax and headlined events like Roskilde Festival in Denmark.
Bruce Dickinson departed from the band on August 28, 1993, playing a final farewell concert to mark the occasion. It wasn’t until the turn of the millennium that he rejoined. The band’s next album, Brave New World, was a return-to-form with progressive elements and complex melodic work. Brave New World charted around the world and re-established Iron Maiden’s place at the top of the metal world.
The band continued releasing cutting-edge albums in the 2000s and 2010s, from 2002’s Rock in Rio to Senjutsu in 2021. The intervening decades have seen the band tour the globe extensively and take its infamous live shows to even greater heights. From stadiums to outdoor festivals and beyond, Iron Maiden is uniquely able to captivate tens of millions of fans, elevating its art to new levels while pushing the boundaries of what metal is and can be.
Catch the band in concert — it’s an experience you’ll never forget.
Some people might try to tell you that in 2003 the entire country was listening to The Strokes, Dizzee Rascal, The White Stripes or something other “cool” act. You can tell them to their face that they’re either highly mistaken or filthy liars. 2003 was the year that the Jack Black classic rock comedy School Of Rock was released and, by some possibly divine act of harmony, it was also the year that absolutely everyone in the country fell in love with The Darkness. With the film and the band’s debut album working in tandem with each other, 2003 was the year of the riff, and a good year it was too.
The band began four years before all that, beginning in 1999 when struggling guitarist Dan Hawkins met bass player Frankie Poullain. The duo promptly moved in together and started looking for other instrumentalists to form a band with. They found a drummer in Dan’s old school friend Ed Graham, but a singer wouldn’t be found until millennium eve, when Dan watched, stunned, as some clown at a karaoke contest completely aced Bohemian Rhapsody. He nailed every tricky octave leap and star-jumped like a maniac when the riff kicked in, all without missing a note. Said clown was Dan’s older brother, Justin Hawkins, who was immediately recruited as the bands singer and rhythm guitarist.
By 2000, the band was set, and they started performing live everywhere that would have them. Their astonishing live sets in pubs and small clubs around the country gained them a devoted following and buckets of hype. This hype was mainly centred on how Justin Hawkins performed like the bastard child of Freddie Mercury and Angus Young captivating an entire stadium, whilst the band was actually playing grotty pubs in Kentish Town. The following they built up was so large that in 2002 they became the first unsigned band to ever headline London’s legendary Astoria club in Charing Cross.
Clearly, they were not going to be unsigned for long, and by 2003 the band had signed to Atlantic Records. Now, at this point they had a large amount of hype behind them, but nobody was prepared for quite how huge they were poised to get. The album was released in July and within a year had sold 1.5 million copies, their big single “I Believe In A Thing Called Love” was released in September and peaked at number 2 as did their Christmas single “Christmas Time (Don’t Let The Bells End) and things only got more insane come 2004.
2004 saw them support Metallica on tour, win three BRIT Awards for Best British Album, Best British Group and Best Rock Group, and then capped off their debut album campaign by headlining the Reading and Leeds festivals. To put that in context, that puts them in the same category as the likes of Guns ‘N’ Roses, The Cure and Foo Fighters. Put simply, they were a big deal. The downside of all this is that it was all downhill from here on out. The cracks were showing as Justin Hawkins’ party lifestyle started to get as much press as the band’s music, but it seemed under control. For now.
The bands commercial pull had deteriorated as well due to over-exposure. The backlash had begun in earnest and releasing an album in 2005, the year after they’d been absolutely everywhere, was a bad move. Although it eventually went platinum, the bands second album “One Way Ticket To Hell… And Back”, missed the top ten entirely, where their debut had gone straight in at number two. The resulting tour saw a tired, out of it band performing to dwindling audiences and constant tabloid attention concerning Justin, who in 2006 admitted to spending £150’000 on cocaine in three years after the success of “…Thing Called Love”.
Everything had to stop, Justin was sent to rehab for his own health, and while he was in he decided to leave the band to stay away from old habits. Without their totem and frontman, the band called it a day soon afterwards. The band members went quietly into other projects for the next five years, but in 2011, the band reunited to play second on the bill at that year’s Download Festival. Since then, the band have been on top form, with their third album “Hot Cakes” hurtling into the top five of the album charts, and some of the best live shows of their entire career. Clearly they’re a band on their second wind, and it would be a crying shame to miss out. Highly recommended.
Brothers, Ryan and Joel O’Keeffe, came together to form a band in 2003 and recruited David Roads and Adam Jacobson. They worked at the Hotel Warrnambool and would bring their instruments to work so that after their shifts they could jam out song ideas. They went on to win a competition, called Push-On in Melbourne. It was their self-funded eight track EP entitled “Ready to Rock” that appeared in July 2004, that fell into the hands of Capitol Records whom they signed a five album record deal with.
It was a journey to the US for the band to work on their debut studio album, “Runnin’ Wild” with Bob Marlette who had produced albums with Ozzy Osbourne and Alice Cooper. The album was released in Australia on June 23rd 2007, and they released three singles from the album; “Runnin’ Wild”, “Too Much Too Young Too Fast” which featured on Guitar Hero; World Tour and “Diamond in the Rough”. The album made it to the top 30 of the ARIA Albums Chart in Australia, and even managed to chart in Austria, Switzerland and France. Nearing the end of 2007, they supported Kid Rock and Korn and at the start of 2008, they moved permanently to the US. Their album by this point had charted on the UK Albums Chart, and on the Billboard 200.
At the beginning of 2009, Airbourne headed back into the studio to record their sophomore album “No Guts. No Glory”. It was later released on March 8th 2010. The song “Born to Kill” was played on BBC Radio 1’s Rock Show. It reached the top 20 on the ARIA Albums Chart, and also in five other countries. They were fortunate enough to support Iron Maiden on their Final Frontier World Tour from July 20th to August 1st 2011. The band announced in November 2011 that they had been working on a new album. That album would be called “Black Dog Barking” and would go on to reach to top forty of ten countries.
Iron Maiden was my first concert ever and the experience was so amazing I've been hooked ever since! Their set list for the O2 in London was based on their previous 'Seventh Tour Of A Seventh Tour' in '88, which featured heavily songs from their 7th album, 'Seventh Son Of A Seventh Son' but also many of their greatest hits and most famous songs to really engage the audience. They sounded absolutely incredible and there was so much energy from Iron Maiden which was impressive especially due to the age of the band and the members.
Iron Maiden are famous for their breathtaking stage shows, and this show definitely did not disappoint. During the song, 'The Trooper' a towering Eddie appeared from under the stage dressed in the trooper's outfit, matching the outfit Bruce Dickinson had just changed into to perform this song. The authenticity and the detail of Eddie and the costumes were just outstanding and the crowds really reacted to all the pyrotechnics used throughout the show as well as reciting all of the lyrics to every single Iron Maiden song played. Everyone even shared a little giggle when Bruce tripped over while leaping across the steps at the back of the stage, recovering very smoothly by joining in with our laughter. The crowds had a huge age difference from what I saw but the reactions were all the same as they shared the common love for Iron Maiden. I truly believe the Iron Maiden are one of the best bands out there and the experience from their shows is like no other. Its an opportunity not to be missed.
I consider myself enormously fortunate to have got the inside scoop on The Darkness all the way back in 2001 and spent the next two years watching them hone their stagecraft at grotty pubs and clubs the length and breadth of North London. The music and the outfits got tighter and before my very eyes they became the four man rock machine that bestrode the narrow world of British heavy rock like a colossus between 2003-2005.
Just because they're no longer playing the ten thousand seater arenas that they were in their "imperial phase" doesn't mean there's been any diminishing of the level of showmanship you can expect from The Darkness. Frontman Justin Hawkins is a 21st century 'Diamond' Dave Lee Roth, a fizzing ball of energy who uses every inch of the stage. Let that not take away from the fact that he and brother Dan are also amazing guitar players, as you'll get to see for yourself if the "impromptu" walkabout through the crowd on a roadie's shoulders brings him near to you.
The string of hits enjoyed by the band in 2003 – Get Your Hands Off My Woman, Growing On Me and I Believe In A Thing Called Love, all from the million-selling Permission To Land – are still broadly representative of the band’s signature sound. Expect powerful, muscular rock riffs leavened with lyrics that are often deceptively funny or unexpectedly touching, all delivered in what is unquestionably one of the most distinctive voices in rock.
Of the 64 shows I've seen them play to date, a few stand head and shoulders above the rest in memory: the first time ever, at the Water Rats nearly 13 years ago, because it was the start of something big for me personally. The first "catsuit show", a few months later in the backroom of a ghastly pub in Tooting, where me and fellow superfan Sexy Dave helped Justin Hawkins out of his jeans. A show at the Wolverhampton Civic Hall in 2003 gave me a tremendous buzz – to see them in such a big venue felt like a fitting reward after having worked so hard. The three sold out shows at Wembley Arena in 2004 for the same reason. The Darkness split up in October 2006, many feared never to return. Happily, after a five year hiatus the band’s original line up – with the Hawkins brothers’ schoolfriend Ed Graham on drums and token Scot Frankie Poullain on bass – were reunited in 2011 and quickly discovered that the UK’s appetite for their unique brand of power rock was undimmed. They released Hot Cakes in 2012 and are currently recording their fourth album.
Great artistic music with some heavy songs but also mellow songs. The moment the HU stepped on stage they gave there all and kept and upbeat atmosphere. Totally worth seeing again, good luck on this 2019 tour.
“Guitar music is dead!” is a phrase that has not been infrequently thrown around over the past decade. Yet whilst rock music might not dominate the mainstream, this is clearly a falsity. One band which refuses to let hard rock die is Australian quartet Airbourne, who have released some of the finest fist-pumping riffs since 2003. Playing Gibson Explorers with big, wild, curly hair, they certainly look the part. Releasing three studio albums thus far, they have proven that their riotous and energetic music could have stood up against the biggest hair-metal bands of the 80s.
Their set at German festival Rock Am Ring in 2013 brought enough power and vigour to have induced severe concussion in the audience from the sheer amount of uncontrollable head-banging. Their music is made to be played in stadiums, to which they received a roar of appreciation as they played tracks “Running Wild,” “Diamond in the Rough” and “Black Dog Barking.” After the atmospheric intro, they ran out to stage going straight into “Ready to Rock,” with the crowd certainly feeling the band’s massive energy, jumping wildly in appreciation.
One of the best things about Airbourne is simply that their music is just pure fun. Too often humour is lost due to artistic pretensions but the likes of Airbourne restore a sense of reckless joy that comes from just having fun, rocking out with your friends. Hearing their songs takes you back to a time when posing in front of a mirror with your guitar slung low made you feel fantastic and full of wild dreams of playing to thousands of people. Listening to Airbourne keeps this spirit alive, eroding any self-consciousness and embarrassment at raising your devil horns and ferociously nodding your head.