ANKEA FESTIVAL
5.–6.6.2026 Hiedanranta, Tampere
A.A. Williams (UK) Bruce Soord (UK) Circle (FI) Earthside (US) God Is An Astronaut (IE) Green Carnation (NO) Ihlo (UK) Ihsahn (NO) Kælan Mikla (IS) Oranssi Pazuzu (FI) Vermilia (FI) Virta (FI)
+ many more.
ankeafestival.com
Para fãs de: Metal, Eletrônico, Indie & Alternativo, e Rock.
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This Will Destroy You, which is often shortened to TWDY was formed by guitarists, Jeremy Galindo and Chris King, bass guitarist Raymond Brown and drummer Andrew Miller. They all met through mutual friends and played together in various bands throughout high school. Their name spawned from a song that was going to be called “This Will Destroy You” but was rejected for being too pretentious. The band found it “hilarious”.
When asked whether he wished the band had chosen a different name, King proclaimed to Rock Sound “It’s supposed to be a little bit obnoxious. There’s something about people automatically hating you before you play that’s kind of endearing. It gets to the point where it’s over-the-top obnoxious. It’s an attention-grabber and people will check it out I guess. Even if they hate it.”
Their self-recorded and self-produced first EP, “Young Mountain” was released in 2005. It received a great deal of critical acclaim including being named the fifth best instrumental released of the year by The Silent Ballet”. The band was contacted by Magic Bullet Record owner Brent Eyestone over the Internet and he asked them to contribute a track to his label’s “It Came From The Hills Vol. 1”. In June 2006 Magic Bullet re-packaged and re-released “Young Mountain”. The band’s reputation grew and caught the attention of Pitchfork Media and Rolling Stone. A Sputnikmusic review said “TWDY’s sound is near perfect. Production wise, everything is right where it should be. Tone wise, it doesn’t get much better. The quiet parts are tear jerking. The loud parts, while equally tear jerking, are brutal.”
The follow up self-titled album, was one of those that simply took a long time to create. There were many obstacles that the band had to overcome, in a creative context, and also the writing was slow. It was a two-year process, and the album eventually was released by Magic Bullet in January 2008. It was positively received by the music press. Drowned in Sound called it “a true classic of it’s kind”
The “Field Studies” EP was a collaboration on a split record; the members of both bands were good friends and had further plans to tour again together in the future. They came together at John Congleton’s Texas studio in July 2008 to record their contributions.
“Another Language” was released on September 16th 2014. The single from the album “Dustism” was released on their earlier in the year on June 25th, 2014.
Let’s face it, God Is An Astronaut is the kind of name that a band has to earn, rather than just have. You’d feel short changed if you went to see them and they sounded like The Killers, is what I’m trying to say. Fortunately, they sound like no-one else on their level, possibly like no-one else in the world. The inspired idea of tying down space rock and post rock’s more meandering tendencies in favour of strict, rigorous, motoric rhythms is paying them back dividends and, like some of the greatest music ever written, it all comes back to a pair of brothers.
Fortunately enough, these ones don’t seem to hate each other. God Is An Astronaut was formed by twin brothers Niels and Torsten Kinsella, who play the guitar/keyboards, and bass/guitars respectively. Both of them spent the 90’s playing in an assortment of rock bands before heading into remixing by the turn of the century. The Kinsella brothers were contracted to write the music for an album that an assortment of different singers would actually sing on, however, by 2002 the idea fell through.
At first, the duo were thoroughly annoyed, however, then they realized that they had an album’s worth of instrumental music that was essentially theirs. They set about rejigging the music and by 2002, they had written, recorded and released “The End Of The Beginning”, the first God Is An Astronaut record proper. A year later they recruited Noel Healy to drum for their very first live shows and their first videos for “From Dust To The Beyond” and their first record’s title track started to get played on MTV UK.
Since then, the band have gone from strength to strength. They are sensations in their native Ireland, playing packed out festival sets for nearly over a decade now. They’ve released a further six albums and have developed not only an outstanding band to perform live with, but a truly psychedelic visual show taking in lights and video matched to each specific song they play created by the band members. They’re a truly unique band that we could stand to see a lot more of. Highly recommended.
This Will Destroy You’s music is not something that will destroy you, but it is something that will come close to blasting you away in a live performance. Although This Will Destroy You plays loud, it is an effect that is used to enhance the epicness of the performance. This Will Destroy You is a purely instrumental band, but the music communicates through the emotions they convey. The music is often composed of layers after layers building up to a monumental crescendo. The band plays in a very atmospheric manner using many different effects such as reverb and delay as well as playing with a sense of dynamics. The guitars are the most prominent instruments used in the music creating most of the melodies as well as building a wall of sound that acts as the foundation for the lead guitar to build itself.
When This Will Destroy You takes the stage the attention is not intended to be focused on the band, but rather the music that is created. The stage is usually dimly lit consisting of minimal, ambient lighting, and there are no spotlights singling out individual members. The band comes together as a united force to create music that is amalgamated into one giant masterpiece.
This Will Destroy You’s performance is usually filled with great intensity and emotion. They are lauded by audiences and they are gradually developing a larger fan base due to their exhilarating performances as well as having their songs featured in such movies as “Moneyball” and “World War Z”.
There is only one word capable of describing post-rock legends God Is An Astronaut’s live performance: memorizing.
Whether you are a fan or not, one cannot help but be completely entranced by God Is An Astronaut live. From the haunting opening piano of opening song “Remaining Light” to the very last note, God Is An Astronaut is able to keep the audience completely captivated and engaged until the bitter end. Uniquely, the band does not achieve this emotional connection with their audience through a high energy performance, but rather through the music itself.
The musicians are stagnant on stage for the most part, save for a few moments where head banging is absolutely necessary, giving their undivided attention to not only playing every note as accurately as possible, but to also replicating the atmosphere that is so important to their studio efforts. The band utilizes a projector screen as their back drop and takes great advantage of the venues lighting system to great effect. If the musicians are focused on recreating the atmosphere from the studio efforts, it is the backdrop, the lighting system, and the sheer power of the live performance that not only replicates the atmosphere, but actually improves on it.
Swedish metal band Katatonia, not to be confused with Welsh pop/rock outfit, Catatonia with a C, have their die-hard fans in the house this evening, ready to go crazy, ready to start circle pits here and there all over the room. “Ghost of the Sun” is their opening number seeing the fastest and loudest guitars you’ve ever heard. They employ techniques such as pinch harmonics; sweep picking, and dive bombs, and the crowd this evening, a horde of longhaired metal lovers all dressed in black. As soon as the drop occurs in their opening number, it is as though a grenade has been thrown right into the centre of the mosh pit as people are throwing themselves relentlessly into one another. One of the things that I will hand this Swedish gothic metal band is that every song has a hook. There is always something memorable from each song that you just might find yourself singing in the shower the next day. There is such adoration from the audience as they sing just about every chorus with their fist in the air, punching at every syllable. There are moments of their set that are very loud, with machine-gun blasting double kick drum moments, which are countered every time with a melodic chorus. A successful gig for these Scandinavian rockers.