A Winged Victory for the Sullen is the soaring project by the Americans Adam Wiltzie and Dustin O’Halloran. What began as a temporary collaboration in 2007 has evolved into an unbreakable bond, with four albums and countless compositions for film and theatre, including the BAFTA-winning Lion and Iris. Their cinematic ambient builds on lengthy crescendos, and plays with our expectations. They give their music all the time it needs to unfurl. Wiltzie, now living in Brussels, adds: “I’ve always had a great love of instrumental music that uses both acoustic keyboard instruments and lots of electronics.” Names such as Arvo Pärt, Brian Eno and Gavin Bryars are both points of reference and points of arrival to steer clear of.
Para fãs de: Eletrônico e Clássico.
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Mesmerizing, captivating, engrossing; there aren’t enough words to describe the vast and expansive experience you’ll get from watching A Winged Victory for the Sullen, the composer/pianist duo made up of Dustin O’Halloran and Adam Wiltzie. The ambient, classical, post-rock experience will leave even the most seasoned orchestral attendee breathless.
Slowly building crescendos, long, dreamy chords, and lightly piercing piano keys make for an ethereal experience, allowing you to whimsically drift away with the long, drawn out melodies. Melancholy yet empowering, the enigmatic compositions cast an unforgiving spell on its captivated listeners.
Composer Adam Wiltzie is best known for ambient projects, mostly notably Stars of the Lid, The Dead Texan, and Sleppingdog, but has also worked on Hollywood TV and film scores, including that of Transformers and Nip/Tuck. Similarly, O’Halloran is known predominantly for composing film scores including Maria Antoinette, Like Crazy (with Wiltzie), and Now is Good.
It’s because of O’Halloran and Wiltzie’s intimate perception of human emotion that allows for a deep connection to the music, letting both orchestral aficionados and first-time venturers appreciate the sullen ambience of the duo’s compositions.
Their latest work, Atomos, was composed for the Wayne MacGregor Random Dance Company and debuted in 2013 at London’s Sadler’s Wells Theatre, with the accompanying album having been released October 2014.