Para fãs de: Eletrônico e Indie & Alternativo.
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With Bristol widely considered the capital of British underground dance music, native Pearce was presented with the ideal environment in which to launch his career as a DJ; he quickly became a resident at the local club nights Ripsnorter and Scream, and was able to secure his first gigs on the continent off the back of that success. He didn’t really rise to any kind of mainstream prominence, though, until 2011, when he signed to Pets Records and released a well-received single, ‘Entrance Song’.
Since then, he’s been a regular fixture at some of the biggest venues and festivals in the dance world - think Creamfields, Fabric, The Warehouse Project, Space and DC10 - as well as crossing over into mainstream festival territory, packing out tents at Glastonbury, Bestival and Secret Garden Party. In addition, Pearce has produced Essential Mixes for BBC Radio 1 at the behest of Pete Tong, and was the first ever resident DJ at new London club XOYO. He’s remixed tracks for the likes of Chicken Lips, Four Tet, X-Press 2, Totally Enormous Extinct Dinosaurs and Jamie Jones, and count count a slew of awards to his name already, too: DJ Magazine’s ‘Best British DJ’ and ‘Best Breakthrough Producer’ among them, in 2012 and 2011 respectively.
Eats Everything should perhaps be called Beats Everything. His completely mastery of almost all genres and his ability to tie them together near seamlessly is a skill I envy. Seeing him live was like watching a master artist create a new masterpiece and knowing that never again will you witness something so perfect.
His willingness to embrace new music and different genres make his show unlike any house or other gig you will ever attend. Eats himself dances around his tables with an awkward grace. His movements seem like he is coaxing the music rather than directing it to do his will.
He appears deeply contemplative but was more than willing to talk and joke with anyone coming up to him in the club. A kindly and jovial man Eats has a kind of quiet yet open intensity to himself. The same way that he embraces different types of music he seems to embrace different types of people. He added a lot of funk to some mixes and coaxed wailing beats out of others while keeping a deep, rarely interrupted baseline throughout the entire set. Instead of relying on heavy repetition his mixes seemed to constantly be adding fresh material and he moved through songs like a hot knife through butter.
DJs, I find, get away lightly with their live performances, as a lot of their work is pre-prepared and pre-recorded, so I was extremely excited to see Erol Alkan when I heard that he predominantly plays his music live, using sample pads, his laptop, kaoss pads, and synths. From the moment he walked out on stage, it was evident that he had years of experience behind a DJ desk, as he looked totally at home as he played a funky riff on his synth and inserted a sample to get his first track going. It was incredible that he managed to hold an audience with a track that we’d never heard for his first song, in fact, it was an improvisation on the spot we later found out, and if had everyone dancing and cheering, and he even replayed the hook several times as everyone was enjoying it so much.
After Erol launched the club Trash, he made a huge name for himself as a DJ, as it’s now one of the most influential clubs around, and he managed to get huge names to Dj and perform there. He was great at getting the audience involved in his show, and when he wasn’t busy mixing and creating music, he was dancing along and shouting out for us to do the same. He played his incredible Daft Punk remix, and held out a microphone to symbolise that everyone should join in, which of course we did. The atmosphere was incredible from start to finish, and his talent blew me away.
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