From the ashes of local Canadian bands Condemning Salem, Helicon Blue, and Plan 9, came the burning light that is Alexisonfire. Comprised of screamo vocalist George Pettit, clean vocalist and multi-instrumentalist Dallas Green, lead guitarist Wade MacNeil, bassist Chris Steele, and drummer Jesse Ingelevics, the band's name derives from the world’s only lactating contortionist stripper Alexis Fire. The band’s debut release arrived in 2002 with the EP “Math Sheet Demos”, after which Alexisonfire caught the attention of recording engineer Greg Below and journalist Mitch Joel. The group were subsequently signed by Below’s and Joel’s label Distort Entertainment, combined with a distribution deal with EMI.
The band’s eponymously-titled debut album was released in October 2002 when three of the group’s members were still only 17 years old. The album’s modest success was the result of word-of-mouth and led to Alexisonfire touring nationally before setting their sails for the U.S. and Europe alongside the likes of Billy Talent, GWAR, Godsmack, and Glassjaw. Following the release, the band were courted by major labels, however in developing their sophomore release saw it fit to retain their independence and creative licence.
In 2004 the full-length “Watch Out!” was released debuting at No. 6 on the Canadian Albums Chart. The album earned strong reviews from the critical press and marked a big progression since their debut – the band were now able to direct their aggression and emotion in a much more focused way. Following the release drummer Jesse Ingelevics announced he was leaving the band and was replaced by Jordan Hastings. Arguably the band’s most popular and successful album, 2006’s “Crisis” topped the Canadian Albums Chart and was extolled by critics. In support of “Crisis” Alexisonfire embarked on a worldwide tour including Canada, the UK, and the U.S. with fellow bands EveryTime I Die, Cancer Bats, and A Change of Pace.
Alexisonfire’s fourth studio album “Old Crows / Young Cardinals” was issued by Dine Alone Records in June 2009. Aided by the singles “Young Cardinals”, “Born and Raised”, and “The Northern”, the album once again topped the Canadian Albums chart and peaked at No. 81 on the Billboard 200, their highest U.S. charting to date. Following an extended hiatus where members focused on other projects, in March 2015 the band announced a string of comeback shows including Reading and Leeds, Sonic Boom, and Heavy Montréal festivals.
The Canadian quintet Alexisonfire were a hugely underrated band during their decade or so together. From their screamo beginnings, the band morphed into an interesting post-hardcore band, with their last two albums – Crisis (2006) and Old Crows/Young Cardinals (2009) – amounting to two of the finest records to come out of the genre. I’ll be honest, before Crisis I was never really a huge fan of their recorded output, but despite this I went to see them in London in 2005 and they completely won me over. George Pettit’s barked lead vocals were impressive, as was the tightness of the instrumentation, but it was guitarist-singer Dallas Green (aka City and Colour) and his divine voice that got my attention. A year later Crisis came out, which featured more melodic vocal parts from Green, and I became a true fan.
I saw them again a couple more times and they always delivered a wicked show, especially when they played stuff off Crisis, such as ‘Boiled Frogs’ and their finest moment, ‘This Could Be Anywhere In the World’, which sounded so powerful live. Both Green and co-guitarist Wade MacNeil, now fronting Gallows, were able to create subtle layers of distortion as well as melody beneath the rough riffs, and I always felt they never got the recognition they deserved. They reunited in 2012 for a brief final tour and I was gutted to have missed out on getting tickets, but I heard they were incredible.