Para fãs de: Indie & Alternativo, Country, Folk & Blues, e Rock.
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The groups beginnings can be traced back to the two brothers younger days, when they merged the separate bands they had formed at college and school to perform under the moniker “Nemo”. Whilst playing in the rock influenced Nemo and releasing three albums with them, the brothers started a side project focusing on acoustic music, eventually writing their first folk EP, the eponymous “Avett Bros.”, in 2000.
After the disbanding of Nemo, the Avetts, alongside new members Kwon and Crawford, decided to push on with their new band, and wrote and released their debut album “Country Was” in 2002, before embarking on their first tour together in the same year.
They were shortly picked up by local record label, Ramseur Records, and released their follow up album a year later, “A Carolina Jubilee”. This was the first glimpse of the Avett Brothers’ ability to blend their folk style with other genres, such as punk, pop and honky tonk.
The group released a further three studio albums with Ramseur between 2004 and 2007, before collaborating with legendary producer Rick Rubin, and subsequently signing with his American Recordings label.
It was with Rubin that the band really broke through into the mainstream, with their sixth effort, “I Love You and Love You” reaching number 16 in the US charts. The album was well received by critics, who appreciated their more polished sound, and after touring for a few years the band moved on to capitalise on their newfound fame, releasing the even more successful “The Carpenter” and “Magpie and the Dandelion” in 2012 and 2013.
As well as touring, the band has performed at the Grammy Awards and TV shows such as “Late Night with Jimmy Fallon” and their music has also been used as the soundtrack for many different movies such as “This is 40” and “Friday Night Lights”.
John Darnielle was born on March 16th, 1967 in Bloomington, Indiana. At the age of two he lost his birth father, leading him and his mother to relocate to Central California where he grew up with a physically and emotionally abusive step-father. To cope with it he retreated into music and writing in a big way, but found that once high school was over, he couldn’t bring himself to stay in his hometown any longer. He found a job as a psychiatric nurse at the Metropolitan State Hospital in Norwalk, California and began writing songs on the guitar when he wasn’t working. He started performing live around 1990, and made a valuable friend in the form of Dennis Callaci.
Callaci was the owner of Shrimper Records, and after Darnielle gave him a boombox recorded demo tape of some of his early songs, Callaci released it as Darnielle’s first album “Taboo IV: The Homecoming”. Unwilling to perform under his own name, Darnielle took the moniker The Mountain Goats from the Screamin’ Jay Hawkins song “Yellow Coat” and began to tour with only himself on guitar and his friend Rachel Ware on the bass guitar. In 1991, Darnielle started attending the Pitzeer College in Claremont to study for an English degree, and it was during this time that he started properly focusing on songwriting, becoming renowned for his massively prolific output of songs.
Between 1991 and 1995 he released a large number of cassette’s and seven inch vinyl’s and built up a devoted following because of it. However, once he left college he decided to take his band more seriously and make a go of starting an actual career in music. His debut album proper, “Zopilote Machine”, had been released in 1994, and he spent the rest of the 1990’s building his following into a proper, nationwide fan-base. While the group have never been commercially succesful, they remain one of the most critically acclaimed and respected acts in American indie rock. Darnielle remains as prolific as ever, and has grown into a truly captivating live act to boot. The Mountain Goats are a band to see as soon as possible, and they come highly recommended.
The Avett Brothers have been the soundtrack to my life for the last 6 years. Every emotion I have felt, whether it is joy, love, sadness, rage, I have always been able to relate a song to them. I have seen the Avett Brothers twice and that is not nearly enough for me. I saw them in Montreal and in Boston. Both shows I was in the front row and I highly recommend it for the full in your face experience. The Avett Brothers have an energy that is contagious like a virus that spreads over your entire body for the entire show. Songs like "Talk on Indolence" make your whole body vibrate with ecstasy as you thrash your head, stomp your feet, and shake your fist. They break up their shows with heartwarming single mic numbers such as "Murder in the City". Watching them all sing in perfect harmony playing acoustically into one microphone sends shivers down your spine and you break out in goose bumps. I find that at their shows everyone in the audience is on the same wave length as you, there are no bros shouting out song titles. There are no wasted DMB type fans who won't even remember that they went to a show in the morning. I have found all my fellow fans to be caring compassionate individuals who look out for each other and all have the same love and passion as you do. It saddens me that I have moved across the country for 6 months and now that I have moved the Avett Brothers have finally returned to do a show in my home state of Vermont. If you love bluegrass, love to rock, and aren’t ashamed of a shedding a tear once in a while then you will absolutely love to see the greatest live show of our generation, The Avett Brothers.
I’ve seen many, many live shows in my time but it’s hard to remember a band with more fanatical followers than John Darnielle’s The Mountain Goats. Darnielle’s released thirteen or fourteen studio albums since launching his band back in the early 90s, with his records normally following the same pattern of passionate and wordy lyrics, acoustic guitars aggressively strummed and communal, rousing choruses on songs that cover all of human life, from everyday vignettes to musings on religion. The likes of Tallahassee and All Hail West Texas are the apex of Darnielle’s vision, and quite the ride to listen to. When it comes to seeing The Mountain Goats live, be prepared for the person next to you to holler along word-for-word to each and every song. Darnielle switches between full-band shows and ones where it’s just himself and long-time partner Peter Hughes delivering stripped down versions of ‘Linda Blair Was Innocent’, and the biblical and beautiful duo of ‘In Memory of Satan’ and ‘Genesis 30:3’. The show is bound to finish on the euphoric sing-along of ‘No Children’, and Darnielle often goes walkabout in the crowd for the affecting ‘California Song’. It’s a rollercoaster of emotion and it’ll leave you exhausted, and you may come away as a new Mountain Goats fanatic.