Pour les fans de Hip-hop.
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The son of a Jazz musician, Nas was born with a musical thirst, one that was channeled into hip hop under the influence of neighbor and friend ‘Ill Will’. Even after dropping out of high school, Nas continued to educate himself, utilizing his intellectual life view in his rhymes as he began to garner attention from the likes of producer Large Professor. At just 18, Nas recorded a stand-out verse on Main Source’s ‘Live at The Barbeque’ propelling him to new heights and even securing him a record deal from Columbia under the management of 3rd Bass’ ‘MC Serch’.
With the hype building, Nas was hailed as the best MC since ‘Rakim’ and delivered a certified classic album with his debut, Illmatic. Nas’ complex and insightful rhymes met with world class production and made for a hip hop album unlike anything before it. The album received five mics from ‘The Source’ and is now considered one of the greatest hip hop albums of all time.
The album however, did not translate into commercial success and with mounting pressure from his label, Nas began to slide towards a more mainstream sound for the next run of albums which included ‘I Am…’ and ‘Nastradamus’.
It took a now legendary beef with fellow New York rapper Jay Z to set him back on the right track. Nas countered Jay’s ‘The Takeover’ with the lethal diss song ‘Ether’ which fuelled the release of the ‘Stillmatic’ album and re-secured Nas’ place as one of Hip Hop’s premier talents. He has maintained this success through follow up albums and huge festival appearances and in 2014 a documentary was released documenting the importance of ‘Illmatic’ and Nas on Hip Hop’s history.
Made up of Posdnuos, Dave and Maseo, De La Soul’s debut album, “3 Feet High and Rising,” released on March 3rd, 1989 became a critical smash hit in the hip-hop genre. They became prominent members of the Native Tongues Posse along with A Tribe Called Quest, Black Sheep, Queen Latifah the Jungle Brothers and more. It was also the single “Me Myself and I” that became a huge hit, further cementing the group’s popularity. Unfortunately, the sixties pop group, The Turtles, sued De La Soul for using a sample from their 1969 hit “You Shows Me” for the interlude track “Transmitting Live from Mars”, despite them not even writing the original song. All of this aside, the album made it to #24 in the Billboard Music Charts. It has been dubbed as “One of the greatest albums ever made” by the NME, “The Sgt. Pepper of hip-hop” by the Village Voice. It was also #5 on the top 100 albums of the century, according to Spex.
Their following album, “De La Soul Is Dead”, was released on May 13th 1991. It is highly regarded in the hip-hop community as a classic. The album’s title is in reaction to the group being labelled hippies following its debut release. The album cover, a broken pot of daisies, signals the end of the D.A.I.S.Y age. It has been labelled as edgier than it’s first release. Despite not selling as many units as the previous album, it quickly became a cult classic. The Source magazine listed the album as one of their top 100 hip hop albums of all time, stating that “its true genius is rarely understood”.
Throughout their career, they evolved and transcended, stylistically and musically. There were moments on the album, “Buhloone Mindstate” that proved that the band had matured. “I Be Blowin” was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. “Breakadawn” featured a sample of Michael Jackson’s “I Can’t Help It” and Smokey Robinson’s “Quiet Storm”. Each album that they released, would gain the kind of critical reputation that would solidify its place as one of the most “influential albums” or “best hip-hop album”.
After a few years out, they made a comeback with their album “Plug 1 & Plug 2 Present…First Serve.” It was in collaboration with French DJ duo Chokolate and Khalid, released on April 2nd 2012.
NAS's performance simply-put, is a flash-back throughout the years and albums. If I Ruled The World (Imagine That), my most memorable song from his set. It was a chilled summer evening, at Summer Set Music Festival back in 2012. Crowd was buzzing with lighters in the air, speakers blasting and NAS putting all he had into that mic. Wearing a blue and white shirt and jeans, with a tiny bit of bling and his shades, he electrified the stage. Coming out and getting the crowd pumped by saying, "Put Your Hands Up" and, "I love the smoke ya'll putting up in the air" often. Beats spewed out of the speakers with no vocals, NAS actually rapped all his song! No lip-syncing, no background vocalists, just him and the crowd. Now of course the die-hard NAS fans knew every word and rapped along with NAS, as for me, I rapped what I remembered, but it didn't matter how much of a fan you were or were not when you saw his performance. Because when he finished you came out a die-hard fan and a satisfied concert-goer. Since NAS doesn't really put out much new stuff, its easy to catch up on his music. So you can enjoy his performance to the fullest, every time.
De La Soul seem to be in perpetual touring motion; whether it’s anniversary tours for their classic 3 Feet High and Rising LP, hip hop super tours like the Science of Speech festival of a few years back, or large-scale outdoor festivals, they seem to have a set to suit any surroundings. Most recently, an extensive European tour culminated in a hit-packed performance on the Pyramid stage at Glastonbury, with Maseo, Dave and Posdnuos backed by a an extensive live band, with plenty of percussion and a brass section - the latter, anybody would tell you, is essential to the De La sound. They also reminded the crowd just how deep their back catalogue runs; 3 Feet High classics like ‘Me Myself and I’, ‘Eye Know’ and ‘The Magic Number’ were of course present and correct, but a run through the Grammy-winning Gorillaz track ‘Feel Good Inc.’, on which they featured, was barely distinguishable from the original, proving that it was De La, rather than Damon Albarn, that were at the heart of that hit, with Maseo even reproducing his signature maniacal laugh on the track. The trio are back in the UK in August for a slew of club shows; currently in the live form of their lives, you’d be ill-advised to miss them.