Pour les fans de Indé et Alternatif, Rock, Pop, Funk & Soul, et Electro.
genre_page_link
The band were formed in 2003, having met whilst studying at the Liverpool Institute of Performing Arts. Featuring Matthew Murphy (lead vocals, guitar, keyboard), Daniel Haggis (drums, percussion, backing vocals) and Tord Øverland Knudsen (bass, guitar, keyboards, backing vocals), the band quickly got to work making music, They released several Eps in their early years, including "The Hangover Sessions," "No. 3" and "The Daring Adventures of Sgt. Wimbo and His Pet Otter."
After releasing their debut, "Girls, Boys and Marsupials," in Japan only, they then released a number of singles that would bring The Wombats their first taste of success. "Backfire at the Disco" peaked at number 35 in the UK SIngles Chart, followed by "Kill the Director" which also received lots of airplay. Their debut album on 14th Floor Records, "The Wombats Proudly Present: A Guide to Love, Loss & Desperation," stormed the album charts, reaching number 11 in October 2007, bolstered by the success of singles "Let's Dance to Joy Division" and a re-release of "Moving to New York," which went to number 13 in the UK Singles Chart.
In 2008, the band embarked on a number of tours, traveling across the UK, Europe and Japan. They also became a big name on the annual festival circuit, playing at Glastonbury Festival, Reading & Leeds Festival and T in the Park.Their second album, "The Wombats Present… This Modern Glitch," appeared in 2010, featuring the top 40 single "Tokyo (Vampires & Wolves)" as well as "Techno Fan." The album itself faired well, reaching number three in the album chart.
It was three years before The Wombats returned with new music, releasing the single, "Your Body Is a Weapon," which received significant support on BBC Radio 1. To great excitement, The Wombats began a countdown till the release of their third studio album, "Glitterbug," for a January 2015 release.
I first got into The Wombats after perusing the Top Forty and finding their latest single 'Tokyo (Vampires and Wolves) quite high on the charts. I was intrigued by the incredible album artwork, and instantly fell in love with their alternative, punky tunes. Three months later, my parents gave me permission to go to my first concert. I instantly thought of my new favourite band, and booked tickets to go with a couple of friends to see The Wombats. Fastforward to February 22nd 2012. I saw them at the O2 Academy Brixton, a large but popular venue that never fails to provide the right atmosphere for a show. The Wombats did not fail to deliver either. They played for over two hours, and all of it was explosive. They played the entirety of 'This Modern Glitch' (complete with lasers and confetti) as well as their most popular tunes from 'Love, Loss and Desperation', ending with the classic 'Let's Dance to Joy Division." Of course, not only was there a stellar performance, but their interaction with the crowd was impeccable. With Murph constantly ordering for another 'wall of death' and Tord crowd-surfing, The Wombats do not disappoint, and most certainly is not a band to miss.
The very name ‘Sugababes’ probably means different things to different people, depending on how old you are; they’ve undergone so many lineup changes these past few years that they make The Smashing Pumpkins look stable. The present lineup, in fact, contains precisely zero original members; Heidi Range is the closest thing they have to a stalwart, at over a decade in the group, but Amelle Berrabah and Jade Ewen are both relatively recent additions. To make things even more confusing, the very first iteration of the band - comprising Siobhan Donaghy, Mutya Buena and Keisha Buchanan - have gotten back together, too, under the inventive banner of Mutya Keisha Siobhan. The current Sugababes are currently on hiatus, with their only record between them, Sweet 7, meeting with an unfavourable response both critically and commercially. Should they choose to regroup, though, the one thing they will have on their side is a formidable back catalogue; one of the strongest in recent British pop history, in fact, with the likes of ‘Freak Like Me’ and ‘Too Lost in You’ only sounding better as the years roll by; the mark of a genuinely excellent commercial pop song. In an ever more fickle scene, though, they’d be well-advised not to leave it too long; irrespective of which version of the group they’re most used to, the public forget alarmingly quickly these days.