Para fans de Rock y Indie y Alternativa.
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With a name derived from the criminal family in The Goonies, The Fratellis are formed of vocalist/guitarist Jon Fratelli (John Lawler), bassist Barry Fratelli (Barry Wallace), and drummer Mince Fratelli (Gordon McRory). The band’s debut performance came in March 2005 at the O’Henry’s Bar in Glasgow and earned their first radio play on Scotland’s Beat 106’s Beatscene show hosted by Jim Gellatly. The Fratellis subsequently signed with Fallout Records and released their debut EP “The Fratellis” in April 2006.
Ahead of their debut album “Costello Music”, the band released the single “Henrietta” in June 2006, which charted at No. 19 on the UK Singles Chart. “Costello Music”, released in September of that year, debuted at No. Two in the UK Albums Chart, and spawned the singles “Chelsea Dagger”, Whistle For The Choir”, and “Ole Black ’n’ Blue Eyes”. After supporting Kasabian on their UK tour, the Fratellis embarked on their own headlining tour, which included the UK festival circuit where the singles “Henrietta” and “Chelsea Dagger” really showcased the band’s punk-rock sensibilities. The live DVD “Edgy in Brixton” appeared in October 2007, featuring live performances and b-sides of various singles.
In June 2008, the band released their second studio album “Here We Stand” to mixed reviews from the music press. The album charted at No. Five on the UK Albums Chart and marked the arrival of keyboard and guitar player Will Foster to the group. The album was led by the single “Mistress Mabel”, followed by “Look Out Sunshine”, and “A Heady Tale”.
After a three years hiatus, the Fratellis returned in 2012 to raise money for The Eilidh Brown Memorial Fund, and subsequently played a number of dates around the UK. “We Need Medicine” the band’s third full-length album arrived in October 2013, led by the singles “She’s Not Gone Yet But She’s Leaving”, “Seven Nights and Seven Days”, and “Whiskey Saga”. The release was supported by a successful world tour including dates in the U.S., Europe, Russia, and the British Isles. The EP “The Soul Crush” was announced and released in September 2014, available for free download via their website.
It might sound like I’m damning Cast with faint praise by saying they’re only the third most legendary rock band to come out of Liverpool, but that’s only because number one and two on that list are The Beatles and The La’s, respectively. I’m sure you’ll agree that it’s highly respectable to come second to them, and it’s still a feather in Cast frontman John Power’s cap all the same since he was the bass player in The La’s as well. In fact, if you listen to the last track on the only album that The La’s ever released, you’ll hear that the line that closes the album is “The change is Cast”. Power, a songwriter himself who was frustrated by Lee Mavers’ erratic nature and their lack of any new material since 1986, decided to leave the band in December 1991 and made that lyric a very prophetic statement indeed.
After leaving The La’s, Power shopped around looking for a band to play the songs that Mavers had vetoed while he was still in The La’s. He started playing some sundry acoustic shows, including one at a free festival in his home city of Liverpool, where he was spotted by another bass player who’d just split from a reasonably successful rock band, ex-Shack man Peter Wilkinson. Taken in by Power’s songs, the two of them met up and Wilkinson became the first addition to the newly formed Cast. They started gigging in the middle of 1992 with a multitude of different line ups, but it was going nowhere fast and he’d yet to extricate himself from the record contract he’d signed with Go! Disks while still in The La’s.
Power split up the first incarnation of the band in the summer of 1993 and managed to worm his way out of his contract. Newly free, he set up Cast again with Wilkinson still by his side, and by November 1993 he had recruited Keith O’Neil and Liam Tyson into the fold on the drums and guitar respectively. They started gigging together in January 1994 and it was clear to all who saw them that Power had finally gotten it right, Noel Gallagher himself would later describe the bands live show as a “religious experience”. In no time at all the band secured a tour support slot with Oasis, who were by then pretty much the hottest band in the country, and as a direct result of those shows they were approached by the head of A&R from Polydor Records, who couldn’t believe that they were unsigned.
Needless to say, they weren’t unsigned for long. They signed to Polydor on the 13th of December 1994, three years to the day that Power left The La’s. Cast spent the rest of the decade as one of the most acclaimed bands in Britpop, scoring three top ten albums in the forms of 1995’s debut album “All Change”, 1997’s “Mother Nature Calls” and 1999’s “Magic Hour”. They also scored ten top twenty singles between ’95 and ’99, their highest charting effort being 1996’s “Flying”, that peaked at number four on the charts. Unfortunately, they didn’t see in the new millennium so successfully, with 2001’s fourth album “Beetroot” tanking spectacularly and one month after its release, the band split.
Power spent the rest of the decade playing solo, O’Neill became a tour manager, Wilkinson played with his old band Shack and Tyson joined Robert Plant’s Strange Sensations. However, the band reformed in June 2010, initially only for a tour to mark the 15th anniversary of “All Change”. By the time the tour had finished Power had written an entire album of Cast songs, which became the bands fifth album, 2012’s “Troubled Times”. Any fan of rock and roll would agree that it’s a pleasure to have one of the best bands of the 1990’s back in the fold, and playing some of the best gigs of their career to boot. For that reason, Cast come highly recommended.
The group’s initial stages started to take form at the dawn of the 90s in Bailiff Bridge, Brighouse, England. The early formation of Embrace consisted of brothers Danny and Richard McNamara (lead vocalist and guitarist respectively) as well as a tentative bassist. The trio started to write and record material, usually with the assistance of a drum machine.
However this would soon change with the addition of drummer Mike Heaton. By this point the group were regularly composing and laying down tracks, acquiring enough material to land several gigs around town. During this time the group did not have a stable name so they ended up going through an assortment of titles such as Christianne F, Shimmer, Merchandise, Curious Orange etc...
The group eventually settled on Embrace. They recognized that there was already an American hardcore punk band with this name so before assuming the title they contacted frontman Ian MacKaye for permission. MacKaye warned the group that it might cause confusion, but overall was accepting of the proposition.
Embrace gradually stepped up the quality of their recordings transitioning from a cassette recorder to a 16 track recoding studio. Though their sound became more refined their early material was still lo-fi and was released exclusively on cassette tapes.
The group started to pick up popularity around Leeds, with one of their tapes managing to make it into a local fanzine. The group even caught the eye of the renowned publication Melody Maker; however, they did not receive positive reviews. This particular write up caused the band to re-evaluate their sound and in a sense instigated them to build a more rich and complex style.
In 1995 Embrace welcomed it’s newest member, bassist Steve Firth and in 1997 they issued their single “All You Good Good People” through Fierce Panda Records. 1997 also saw the release of the two EPs “Fireworks” and “One Big Family”. A Year later they issued their debut album “The Good Will Out”, which leapt to No.1 on the UK Albums chart. Their two follow up albums 2000’s “Drawn from Memory” and 2001s “If You’ve Never Been” also faired well on the charts both making it into the top 10. The group also embarked on several critically acclaimed tours. The tour for their debut album found them playing alongside Coldplay.
In 2002 Embrace was dropped by Hut Records and signed to Independiente Records. Their 4th studio album “Out of Nothing” was released in 2004 and reached No. 1 on the UK Charts. It featured four singles, including the hit “Gravity”, which was co-written by Coldplay’s Chris Martin. The compilation album “Dry Kids: B-Sides 1997-2005” followed and in 2006 Embrace released their 5th studio album “This New Day”, which proved to be their 3rd album to top the UK charts.
The band went on a three year hiatus starting in 2007; however in 2011 they announced that they were working on a new studio album. They signed with the label Cooking Vinyl in 2013, but did not release their 6th feature length album until 25 April 2014.
Richard Ash Croft needs no introduction! An Indie legend and a major part of ‘Britpop', which shook up the music world in the 90’s. He is considered by many to be the greatest songwriter of his era, and with songs like ‘Sonnet’, ‘Drugs Don't Work’ and ‘Lucky Man’ its easy to see why. I was fortune enough to see him at the Exeter, small venue for such an iconic artist. It was a sell out and the hall was packed tight. I remember getting to the bar was quite an up evil. The stage ran along the front and the hall was dressed by a red light.
The crowd grew restless but were sent into cheers as the lights were dimmed, the instrumental at the start of ‘Bitter Sweet Symphony’ started to play. The crowd knew their arrival was imminent! Dark figures started to enter the stage and the crowed roared. Then the stage lights came on and there he was. Chants rang out but finally faded as the drums joined in with the violin part of “Bitter Sweet Symphony”. With that the gig had begun, and what a start! The song I predicted to be the encore was the song he started with! He played for 2 hours and in that time found time for all of his hits. From the days of The Verve to his songs from his remarkable solo career Richard Ashcroft chatted confidently. He spoke about other projects he’d been doing and generally jested with the audience. He finished the gig with ‘Break the Night With Colour’ followed by the Oasis’s anthem ‘Live Forever’ which the audience sang along too with great enthusiasm.
An amazing set by a legendary British songwriter and musician. Don’t miss the chance to see a man who's responsible for some of the best songs ever written and ones that made a big mark on 90’s youth culture.
Among the likes of fellow indie rockers The Vines, The Strokes, and The Black Keys, Scottish indie rock trio The Fratellis are the epitome of indie-rockers; just as comfortable commanding the festival stage as they are in more intimate venues. Their lives performances diverge little from their studio albums, showcasing both their talent and their technical skills with seemingly effortless instrumental and vocal performances that are just as energetic as their music. Lead vocalist Jon Fratelli most closely fits the indie-rock persona, frequently donning the token skinny jeans and dark sunglasses while casually moving around the stage, belting out seemingly effortless vocals. Drummer Mince Fratelli rocks out fervently in the background, while bassist Barry Fratelli exudes the stoic and controlled tempo that all good bassists possess. The Fratellis are no strangers to the festival circuit, having played at T in the Park and V Festival, showcasing a variety of music from all three of their studio albums. The crowd sways back and forth to hits like "Whistle for the Choir," while their biggest single "Chelsea Dagger" always elicits excitement from the crowd.
After a short hiatus that saw each member pursue other projects, the band regrouped in 2013 to record their third studio album and continue performing the festival circuit, as well as selling out out venues on their own.
It’s strange how Britpop pretty much threw up the entire spectrum of success stories over the course of its brief nineties heyday - Oasis, the titanic stadium-fillers, Blur, whose constant reinventions never harmed their commercial appeal, Pulp, the critical darlings, and then the likes of Cast, who you can probably chalk up as one of the genre’s examples of nearly men alongside the likes of The La’s. Funnily enough, the band were formed in 1992 after frontman John Power left The La’s, and despite the fact that Noel Gallagher offered a ringing endorsement - comparing their live show to a “religious experience” - they never did quite take off as perhaps they should’ve.
After a low-key split in 2001, though, they reformed in 2010, eventually putting out a new album, Troubled Times, but primarily with the intention of touring. They’ve now completed several circuits of their native UK, remaining faithful to the classics whilst slowly but surely increasing the number of new tracks with which the set is peppered; the gradually increasing size of the crowds, too, is testament to how well the comeback has been received. The opportunity to see for yourself presents itself this coming December, with a lengthy lap of the UK pencilled in.
I’m not totally convinced that there’s really such a thing as post-Britpop, but if there was, Embrace would be a good example of what that sound would involve; they were one of the first bands to pick up the baton left after that movement fizzled out int he late nineties, and interpolate those influences with a darker indie rock sound. Since the release of their debut, The Good Will Out, in 1998, they’ve earned themselves a sizeable cult following in the UK, had two platinum records, and had big-hitting singles make a name for them, like ‘All You Good Good People’, ‘Come Back to What You Know’, and England World Cup song ‘World at Your Feet’ back in 2006. After taking a hiatus throughout the mid-noughties, they returned with a new self-titled album, earlier this year; it went in at number five on the charts, and they played a sold-out tour in support of it across the UK in May, with career-spanning setlists met with raucous singalongs from the crowds; despite some reservations about the quality of Danny McNamara’s vocals, the shows were largely well-received, and the band are now already turning their attentions to a seventh studio album.