Para fans de Hip-Hop, Electrónica, y R&B.
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There's an argument to be made that Douglas E Davis is responsible for the term beatboxer becoming an expression at all. It was he who coined the nickname “The Original Human Beatbox” while he was making a name for himself as a rapper and performer around Harlem, and while others might have enjoyed more commercial success than him with their skills, they still own one hell of a debt to Doug E. Fresh. His first recorded appearance was on the Spoonie Gee and DJ Spivey single “Pass The Buddha”, and after that, his most notable early performance was with The Treacherous Three for their track “Beat Street”. This exposure meant that Fresh began building up some hype around himself, and began to release solo singles with the labels Enjoy and Vinetertainment.
By the end of 1985, Fresh was one of the biggest names in hip-hop with his group The Get Fresh Crew (which featured a young Slick Rick in its line up). He was having hits on both sides of the Atlantic with his single “The Show” hurtling into the top ten of the UK singles chart at number 7. By 1988, he had gone some way of earning the title he gave himself on his second solo album “The World's Greatest Entertainer”, which is a title he keeps to this very day. Remaining an influence even today, it was even Fresh's dance moves that inspired the Cali Swag District to record the smash hit single “Teach Me How To Dougie” in 2010, a good couple of decades after Fresh's last charting hit. Some talents never truly die, and as long as true hip-hop is still a cultural force, Doug E. Fresh will still be one of the men to thank for that. Highly recommended.
Never one to shy away from her musical ability, at the age of 17 Lyte began giving tips and teaching other MCs the best way to create rap and rhymes. She has been constantly developing and improving her own brand of hip hop and has released a total of ten albums to date.
Her debut 'Lyte as a Rock' was released in 1988 and charted at #50 on the US R & B Charts. She was the first solo female rapper to release a full album and it was a critical success, as well as featuring a #1 US Rap single 'Paper Thin'.
Since then she has had three more #1s on the US Rap chart and three top ten hits on the US R & B chart. The 1996 release 'Keep On, Keepin' On' also charted at #10 on the US Billboard Hot 100, Lyte's highest chart position to date. Her albums have enjoyed similar commercial success, all charting well on the US R & B Chart. 'Eyes On This' remains the peak at #8 upon its release in 1989.
Her services to female hip hop are considered immeasurable by many and she has received a number of prestigious honours from the industry over her career. In 2006 MC Lyte was included in a list of artists honoured on VH1's annual award show Hip Hop Honors. Whilst In 2013 she received the Lifetime Achievement Award at the Hip Hop Inaugural Ball, and she has been honoured by the BET awards who awarded her the "I Am Hip Hop" Icon Lifetime Achievement Award in the same year. She also became the first female solo rapper to be nominated for the Best Rap Single Grammy Award in 1993.
While every rapper who’s ever spit is in effect an artist who writes lyrics there are more than a few rappers who truly earn the term “lyricist”. In the same way that Nick Cave are Leonard Cohen are famous for their making their lyrics true poetry while Luke Pritchard of The Kooks is most definitely not, some rappers transcend pop music and create a poetry of their own. Right up there with the legends is Big Daddy Kane, a man rated by everyone from Kool Moe Dee to The RZA as one of the greatest ever. To the extent that there’s a persistent rumour that Rakim, widely thought to be the greatest rapper of the eighties, turned down the chance to take on Kane in a rap battle.
Kane’s first appearance in the spotlight was as part of the Juice Crew, a hip-hop collective based in Queensbridge, New York City. The crew had already been together since 1983 when Kane and his mate Biz Markie (“the human beatbox”) joined three years later. However it wasn’t until 1987, that his solo career really started to take off. He signed to Cold Chillin’ Records and his first single “Raw”, was a big hit in the underground scene, the year after his first record came out, and “Long Live The Kane” remains one of the benchmark rap debuts to this day.
It was ecstatically received at the time and was a mild commercial success as well. In a time when rap was only just proving itself to be more than a fad that was a lot to hope for, but the best was yet to come. 1989 was the same year that Markie had his massive (and utterly hysterical) hit “Just A Friend”, and Kane went on to release “It’s A Big Daddy Thing” a record that might not have been quite as succesful at the time, but it’s still considered to be one of the greatest rap records of all time, so y’know, swings and roundabouts.
Since then, his work has given way to a generation of MCs enamoured with his work, and was even one of Jay-Z’s early patrons, taking him on tour in the early 90’s. It’s a testament to his influence that he was able to stop making records in 1998 and to this day his name is still spoken with respect and admiration. He can also still put on a show to remember and his records, even the ones released nearly three decades ago, hold up against anything released today. For that reason alone it’s a pleasure and a privilege to still have him around. Highly recommended.
Both members of Black Sheep hail from New York, but they actually met quite a way away, in Stanford, North Carolina - both of their families had moved there. They formed their group in 1989, and it didn’t take too long for them to meet with genuine success - their first album, ‘A Wolf in Sheep’s Clothing’, dropped in October of 1991, and eventually went gold in their native U.S. after hitting number thirty on the Billboard chart. The record also earned them the honour of being the first hip hop act to appear on The Tonight Show since the departure of Johnny Carson, and his replacement with Jay Leno.
Their second full-length record, ‘Non-Fiction’, didn’t quite meet with the same level of commercial success, perhaps owing to the lack of big-hitting singles like ‘Flavor of the Month’ and ‘The Choice Is Yours (Revisited)’. Nevertheless, Black Sheep remained revered in the hip hop world, and continued to tour sporadically until their initial dissolution in 1995. They reformed in 2000, and have put out two records since - ‘8VM/Novakane’ in October 2006, and ‘From the Black Pool of Genius’ - ostensibly a solo effort from Dres - in 2010. Live performances are currently occasional, but remain well-received.
Known as the ‘Human Beat Boxer’ Harlem’s Doug E Fresh started out as a solo artist signed to Enjoy Records, it wasn’t until he joined forces with a group of DJ’s called the Get Fresh Crew along with Slick Rick in 1984 that they reached unprecedented success. The following year they released their hit singles ‘The Show’ and ‘La-Di-Da-Di’ unleashing their talent outside of the Americas. With Slick Rick leaving to pursue solo endeavours, the group continued and went on to release two albums before talking a four year hiatus. Returning with a brief stint on MC Hammer’s label Bust It Records and releasing one album, Doug E Fresh found a new home at Island Records in the shape of Gee Street. In 2010, he regained popularity through hip-hop group Cali Swag District who revived his signature dancehall moves in their hit ‘Teach Me How To Dougie’. Back on form with a new lease of life, Doug energises audiences wherever he goes with his charismatic nature as he interacts with the crowd between tracks evoking raucous cheers. As he grooves across the stage playing all the old school classics with his signature dance moves, the crowd go wild throwing their arms back and forth. Breaking up the set with his incredible beat-boxing ability the audience just stare in awe. All round entertainer, Doug E Fresh is guaranteed to make you laugh, dance and party hard.
Women empowerment in a male dominated world can sometimes be a struggle but certain females do not need that extra push. MC Lyte, one of the original female rappers of the late 1980s who is still one of the main influences of Hip Hop culture.
Lyte makes an appearance at the Restoration Rocks Festival taking place in her hometown - Brooklyn NYC and opens her set with the infamous ‘Cha Cha Cha’. She walks on stage with swag and immediately gets the audience hyped with the classic “hey hoo” repetition. Accompanied by a female DJ (another representation of female empowerment), she constantly requests for her to switch up the beat. This element bought lyte to those audience members who aren’t as familiar with her work but could recognise the rhythm instead.
Lyte then switches things up and rhymes straight into another timeless hit ‘Paper Thin’. New rappers and Hip Hop artists still respect the veterans that came before them and for Lyte, Missy Elliott could not admire her more; especially as she quotes Lyte ‘Paper Thin’ lyrics in her own single ‘Cop That Disc’.
The Restoration Rocks Festival bought back memories of what Hip Hop is really about. Rappers and wordsmiths talking about daily struggles and what life living in the hood was really like; the essence of their work came from real life experiences which I feel is lacking lyrically in the modern day.
Nearly 30 years later, Lyte still has the same assertive feminism in her delivery, ability to interact with the crowd and does not look at day over 30 years old. If you are interested in discovering or rediscovering Hip Hop, an MC Lyte ticket is a must!
Big Daddy Kane is one of the most inspirational Rap artist of my generation. I really think this man is responsible for breaking rap and making it popular amongst all kids and genres. One of my favorite songs by him is aint no half stepping. His lyrics and flows are so fluent and soulful makes you just want to put the song on heavy repeat.
He has such a huge body of artwork over the years it's almost insane. His performances are nearly perfected every time, the crowd goes absolutely crazy when this guy gets on stage. Back in the day when he first came out his stage appearances would be more with baggy pants and big gold roped chains, but as of recent performances I have seen him more modernize himself and act on as what's going on in hip hop these days.
He is one of the greatest rappers ever and will continue to have a timeless body of work. I wish I was alive when he was in his prime to see this guy perform and be around the wild energy when his songs were more popular I think it would have been a good rush, he's one of the best.
The hip hop dup of Black Sheep made my year when they confirmed their reformation after their hiatus back in 2000. It’s mad that I’ve only just had the chance to see them live when I’ve been following them for so many years, but it was totally worth the wait. I originally became hooked on their music because of their catchy and clever lyrics, their intelligence is beyond that of a generic hip hop group, and they demonstrate their education elegantly through their music.
The duo are extremely enthusiastic in their performance, and it was great the degree that they got the audience involved to. From the moment they walked out on stage and shouted ‘put your hand in the air’, they completely won over the audience, and there was no going back. They opened with Similak Child from their debut album back in 1991, and had everyone singing along straight away. It was really cool how they played a lot of their older more famous material, as well as tracks from the newer albums. When they played Come Back Home from From The Black Pool of Genius, they made it really interactive, and taught us in the audience sections of the song to sing back in dialogue with them.
Seeing the way that the two of them interact together shows that they’ve been working together for such a long time, as their performance is clean and tight. They really showcased their talent, and what it means to be a hip hop performer. I was really impressed, and advise anyone to see them live if you get the chance.