Originally chasing dreams to be a dancer, Suzanne attended New York's esteemed High School of Performing Arts and graduated in 1977. She then progressed to study a degree in English literature at Barnard College and during this time she began to perform on the local circuit, she even got a couple of her tracks published on Fast Folk anthology albums. Shortly afterwards she gained attention from a record label who signed her to a contract in 1984.
Her debut album which was self titled was released a year later to critical acclaim by US publications. Since its release it has been featured in the book 1001 Albums You Must Hear Before You Die and has sold nearly two million copies. The next album 'Solitude Standing' charted at #11 on the US Billboard and #2 in the UK. It featured two huge US hit singles, 'Tom's Diner', a beautiful acapella track was the first. It was one of the first songs used as a reference track for mp3 compression, earning Suzanne the nickname of 'The Mother of the MP3'. The other was 'Luka' a strange and unexpected hit as it is written from the perspective of an abused child.
After her second album, her chart positions slowly declined in following releases in both the US and the UK. The 2014 album 'Tales from the Realm of the Queen of Pentacles' was Suzanne's first appearance within the UK top 40 for over twenty years. The songwriter has continued to consistently release albums and tour her material over this time and the lack of chart success has never seemed to alter or affect her songwriting or musical style.
The formation of The Angels dates back to 1973, with Doc Neeson (vocals) and Rock Brewster (guitar) first playing together in the acoustic covers act, the Moonshine Jug and String Band. After adopting a more electric sound, they changed their name to The Angels and brought in John Brewster (guitars), Chris Bailey (bass) and Graham “Buzz Throckman” Birdstrup (drums) to bolster their lineup. Playing Adelaide’s pub circuit, they were spotted by Angus Young and Bon Scott in 1976, which prompted them to enter the studio and record their debut single, “Am I Ever Gonna See Your Face Again.” The single became a major hit and the band then secured a support slot for AC/DC in 1977.
They released their self-titled debut that same year which stormed up the charts, quickly becoming a favorite in their home country. It was with their third album that the band started to gain attention worldwide, with 1979’s “No Exit” gaining acclaim in the US and Canada, prompting an extensive tour in the northern hemisphere.
In 1979, after only three records, they released a collection of their “Greatest Hits,” before unleashing their fourth outing, “Darkroom.” The album spawned their first number one hit with “No Secrets,” and by the end of the year, The Angels were playing a riotous concert at the Sydney Opera House to a legion of fans. Bailey left for Jim Hibun in 1983, just before the band unleashed two experimental albums, “Watch the Red” and “Two Minute Warning,” a concept album exploring nuclear war.
Original member John Brewster left shortly after, replaced by ex-Skyhooks, Bob Spencer, with the impact being felt upon their next album, “Howling,” in 1986, which scored several hit singles. A 16-month tour followed, paving their way for the massive success of 1990’s “Beyond Salvation,” which earned the band four Top Ten singles. Spencer and Morley left in 1991 to forge solo careers, with Hulbun and John Brewster brought back to the fold. Yet issues with record companies caused problems in releasing new material. After the comeback success of “Call That Living,”
The Angels disbanded at the end of the decade. It was not until 2008 that they were to return, reuniting to play a number of shows that summer, reigniting interest in the band, Neeson left to explore a solo career in 2011, finding a replacement in Dave Gleeson, whose first feature alongside The Angels was 2012’s “Take It to the Streets.” In 2014, the band marked their 40th anniversary with the release of the album, “Talk the Talk.”
I’ve been a fan of Suzanne Vega, an alternative rock musician, since I first heard her song "Luka," a song about an abused child which was really quite touching. So when I had the chance to see her at The Triple Door, I was so happy. The venue was amazing, small, intimate, and really the perfect setting for her.
The first thing I noticed is that Vega is even more beautiful in person than she is in videos and on television, and I wasn't sure that was a possibility. Vega came onto the stage confident and polished and engaged the audience with her beautiful voice and the story telling and poetry of her songs, all of which were accompanied by an acoustic guitar. She's an amazing singer and entertainer, starting the show slow and eventually riveting the audience - and soon we were on our feet.
The crowd hung on every word and the emotion in her voice was so pure and simply beautiful.Vega sand a wide variety of songs, including "Marlene On The Wall," "Knight Moves," "Book Of Dreams," and "Tom's Diner." My favorite and probably the best performance of the night was "Blood Makes Noise" - which really does tell an amazing story.I was so happy to finally be able to see Suzanne Vega live and I would for sure go and see her perform again.
In 1974 one of Australia’s most prolific bands was born. With over four decades worth of history and chart success, The Angels inspired a generation of modern day popular grunge bands like Nirvana and Pearl Jam. Their first single ‘Am I Ever Going To See Your Face Again’ released in 1976, still to this day remains their biggest hit. Releasing it several times through their prolonged career without major success, it was only when they performed it live in the mid 80’s when randomly a chant erupted from the crowd ‘No way, get fucked, fuck off’ in response to a question posed in the song. Since then it has become an iconic and prominent feature of their set, even so far as being a phrase considered to be part of Australia’s rock culture. Veterans of the rock/alternative scene in Australia, The Angels show young bands exactly how it’s done. Completely owning the stage, singer Doc Neeson’s vocals have stood the test of time, gravelly and powerful as ever. The Angels have transcended genre trends and decades apparent in the varying age groups in the audience displaying how pivotal the band were and still are in the Australian music history. Performing the classics ‘Am I Ever Going To See Your Face Again’, ‘Marseilles’ and ‘Take A Long Line’ even at their age they still ooze so much energy and passion which filter into the crowd as they reciprocate jumping up and down incessantly while singing along from the top of their lungs. Even after all these years, The Angels are still the most rock and roll band around.