Sub Focus, Dimension, Culture Shock, 1991 (UK), NERO, Charlie Tee, Lens, Rova, und Pirapus

Despite being active as a producer since 2003, Nick began to receive attention in the industry when his early release 'X Ray' topped the UK Dance charts and charted at #60 on the single charts in 2005. He continued to produce and record after this music and his 2007 singles 'Time Warp' and 'Rock It' topped the dance charts once again with the latter managing to break into the UK top 40 at #38. Before the release of his debut album he continued to build his reputation by remixing songs from dance heavyweights such as The Prodigy, Deadmau5, Empire of the Sun and Dizzee Rascal.

His debut self titled album was released in October 2009 through RAM Records and included a number of early singles along with new material. The following two singles 'Could This Be Real' and 'Splash' both peaked just outside the top 40 singles chart at #41. In 2010, Sub Focus was a support act for Australian drum & bass band Pendulum on their UK tour to promote their third album Immersion which gained him a greater exposure. The follow up album 'Torus' charted a lot better, peaking at #1 on the UK Dance chart and #11 on the UK album charts. It featured an impressive five top forty singles including his highest chart place to date at #10 with 'Endorphins' featuring Alex Clare.

Sub Focus became a massive name on the UK festival circuit, following the success of 'Torus' he headlined the Radio 1 Dance stage at the Reading and Leeds Festivals 2013. He also put in performances at Glastonbury, Bestival, Isle Of Wight and Global Gathering that summer. The continued support of Radio 1 amassed in him headlining the first Radio 1 Xtra Live event in Bournemouth in October 2013 before embarking on his largest headline tour to date.

The trio is composed of producers Daniel Stephens and Joe Ray, who formed the group back in 2004, and singer Alana Watson, who joined them after featuring on some of their early songs in 2008. Ray and Stephens met when they were 17 years old, at the specialist music school in Pimlico that they both attended. Both of them were pretty much musical prodigies, Ray playing classical guitar and Stephens the cello, but both of them composed electronic music on their laptops in their own time. By the age of 17 they had decided to create music together, setting up their studio in Stephens’ bedroom, and a year later, the duo met their future bandmate Watson.

By 2004, the band had signed to Formation Records and over the course of the next four years, they released a critically acclaimed series of 12 inches that started out as straight drum ’n’ bass but over time developed into their signature sound of pop-inflected dubstep. Watson guested on a couple of their 2008 releases, most notably their first attempt at straight dubstep “This Way”, released on the Audio Freaks label. By the end of the year was a fully-fledged member of the group, however, it was 2009 that saw them truly gain momentum.

Their single “Act Like You Know” started getting some genuine radio play, and their remix of The Streets’ “Blinded By The Light” was played in high profile sets by everyone from Skream to Diplo. Late 2010 saw the band listed on the BBC’s Sound Of 2011 list, one of the most on-point choices the list has ever made, as it turned out. Their debut album “Welcome Reality”, released in the same year, hit number one with a bullet in the U.K and reached the top ten of the US Dance albums chart and ever since then they’ve been one of the biggest names in EDM.

They’ve won a Grammy for a collaboration with Skillex and worked with the BBC Philharmonic Orchestra to bring the world “The Dubstep Symphony”, and have built up a reputation as one of the best live acts in electronic music. The best part is that they’re just getting started, and in their prime, they’ll be practically unbeatable. Highly recommended.