A renegade spirit can come from anywhere, it seems. After all, Joe Strummer was a privately educated son of a diplomat for the crown itself, John Lennon grew up comfortably in a semi-detatched house and went to art school as well. Bear in mind that it would be profoundly stupid to suggest that their upbringing, something they’d have no control over whatsoever, tempers their revolutionary spirit and lessens their message. However, it isn’t half satisfying to see a politically charged artist who actually grew up in a politically charged environment.
Nowhere is this more apparent than in the upbringing of Goapele Mohlabane, the daughter of an exiled South African political activist father and a New York born Isreali activist mother who grew up in a South African exile community in Oakland, California.
Needless to say, her music is very much a product of those turbulent years. From the very beginning of her school career her parents encouraged her to be a part of her community. So by the time she was in elementary school she’d form and led a pre-teen peer-support group, and by high school she was dividing her time between various groups combating racism and sexism and singing in the Oakland Youth Choir.
She began writing and recording her own songs after completing her degree at the Berklee College of Music, and by 2001 had self-released her debut album “Closer”. This was a modest hit around the San Francisco Bay area where most of her live shows were also performed, and the 5000 copies it sold were enough to get noticed by Oakland based indie label Hieroglyphics Emporium.
Sensing that big things were afoot, Goapele formed her own independent label, Skyblaze Recordings, with her family and released an extended version of “Closer”, imaginatively titled “Even Closer” in conjunction with Hieroglyphics Emporium. The recognition this move gained her meant that by 2004, Columbia/SME Records picked up Skyblaze for worldwide distribution and suddenly, Goapele was a major label artist.
She’s since had a vast amount of critical acclaim for each of the four records she released after that and has kept up a reputation for being one of the most exciting and politically active singers in the business. To such an extent, that in 2006 she was honoured by the Ella Barker Center for Human Rights with its first ever Human Rights Cultural Hero Award. Such was the measure of her success that in the same year, she was also featured on the last ever episode of legendary music show Soul Train. Since then, she’s kept on keeping on, releasing albums and performing at rallies and demonstrations the world over, making her a global star in a very tangible way. She’s truly vital, and any true music fan should feel lucky to have her around. Highly recommended.
You don’t need to read this review. This is entirely superfluous waste of your time because deep down, you know you need to see Al Green perform live, just as everyone with a passing interest in this insane little alternate reality known as pop music does. The ordained pastor from Forrest City, Arkansas may be pushing 70, but he can still put artists a third of his age to shame on stage. If you’ve already seen him then you know you need to see him again. If you haven’t, then that small yet vital piece that’s missing in the fabric of your being can materialize by following one very simple instruction. See. Al. Green. Green is an old-school showman in the best possible way, his sole purpose night after night being to send everyone home with a smile on their face. He does so with not only his delectable voice, that is still completely intact after nearly half a decade in show business, but also with the energy, passion and commitment of a performer still hungry to please an audience as if his next meal depends on it. Sometimes this even gets the better of him. At points Green looks skyward, hands on his knees while out of breath, seemingly pleading with some higher power to keep him going through the show. That kind of commitment to a show is rarely seen today, possibly for good reason, but there are few things more exciting than watching someone put everything on the line to put on an unforgettable show. It’s not even needed with a back catalogue containing the likes of "Let’s Stay Together," "Tired of Being Alone," "Here I Am (Come and Take Me)" and "Take Me to the River," but it’s not in his nature to half-arse an audience like that. You want a show that’s as sensual as it is exciting? As life-affirming as it is funky? No one does it better than The Reverend.
Goapele makes my soul feel complete! I was lucky enough to see her last summer as a part of the One Music Festival and she was hands down, the best performance of the event!
I have followed Goapele since her "Closer" days and I have thoroughly enjoyed watching her transition from young goddess to womanly queen status. As she stepped on stage, fans were amazed to see that she had shaved her once long dreadlocks into a small, blonde afro which suited her beautiful face. Her spirit was so lively and she was so in tune with the crowd that she made the large festival feel like an intimate, closed set with only her closest friends listening to her effortlessly belt out melodic tunes.
The transition from her 2002 "Even Closer" album to the 2012 "Break of Dawn" album was seamless. I played and continue to play both albums, front to back, religiously. I cannot wait for the chance to see her perform live again!