Jack Antonoff, the talented singer/songwriter and guitarist found fame with pop group Fun and is credited as a co-writer of one of the band's most successful singles 'We Are Young'. He has also written music for pop heavyweights including Taylor Swift and Christina Perri. Whilst on the road with Fun, Antonoff found an outlet for his creative urges whilst travelling from city to city in Bleachers. His side project remained unknown until February 2014 when he released the single 'I Wanna Get Better'.
It received moderate chart success due to the singer's credibilities and notoriety as an artist formerly associated with Fun. Critics enjoyed the shimmering layer of pop gloss that had been applied to this release and the album 'Strange Desire' which came in the summer continued to accumulate accolades. It was released through RCA records and was met with chart success, debuting at #11 on the US Billboard Charts and #19 on the Canadian album charts.
The guitarist has been touring the US tirelessly throughout 2014 to promote the album's release, including at stop off at Austin City Limits. Despite the success and time that Antonoff has invested into this project, he has made it clear this is not a departure from Fun and he still remains committed to the band.
The band first came together during the summer of 2008, when lead guitarist and front man Martin Courtney returned to New Jersey after finishing college, and started writing songs with school friends and fellow Weezer fans, Matt Mondanile (guitar), Alex Bleeker (Bass) and Etienne Pierre Duguay (Drums).
After releasing various singles and an EP on local labels and supporting Californian indie darlings “Girls” on tour, the band was eventually picked up by American label Woodist, who released their self-titled debut album “Real Estate” in 2009.
The album established the band’s hazy form of psychedelic surf pop that has now gathered them a large fan base within the indie scene. The album saw Real Estate receive critical acclaim, with many reviewers praising the bands catchy summery harmonies and hazy riffs on tracks such as “Fake Blues” and “Atlantic City.” Many critics also drew comparisons to the likes of fellow New Jersey natives “Yo La Tengo” and “the Feelies”.
In 2011, after signing with Domino Records, and some roster reshuffling, Jackson Pollis replaced Duguay on drums, whilst Jonah Maurer came in on keyboard; Real Estate released their sophomore album, “Days”. Their second offering was again met with much fanfare from critics, who celebrated their consistency and clear song writing progress as a group.
The band released the album "Atlas" in 2014. It was yet another critical success for Courtney and co, but also saw some commercial success, as it debuted at number 34 on the US Billboard Chart. Both “Atlas” and “Days’ were ranked amongst the “The 100 Best Albums of the Decade So Far” by Pitchfork.
Real Estate have embarked on various frequent tours around the world, as well as playing large and well known festivals such as Coachella and Primavera sound.
Although Bleachers only recently found their way into the public eye, their infectious melodies and truly impressive live show are tempting music fans of all generations to don the sweatbands and leg warmers characteristic of the iconic time the band represents: a near revival of sorts. At the helm is fun. guitarist Jack Antonoff: deer-in-the-headlights turned rockstar, whose 80s hipster persona and unusual presence lend themselves to the palpable happiness felt by everyone in attendance. The real highlights of any Bleachers show, however, are the live renditions of “I Wanna Get Better,” “Rollercoaster,” “Shadow,” and other crowd favorites, which feature melodies that are simply begging to be shouted without any regard for auditory well-being.
Bleachers is unique among its counterparts in that it boasts two drummers that, when paired with the band’s signature synthesized pop rhythms, create a fuller sound and more intense live experience. Each blistering guitar solo leaves Antonoff in some transient state of bliss achievable only through true musicianship, and the performance is truly captivating. Within minutes, Jack’s taken off his first layer of clothing, sweat is flying, and he’s replaced his initial reserved demeanor with one of confidence and passion.
For those on the fence about attending a Bleachers show, it is important to note that all aspects of it — the lights, the energy, the nostalgia-inducing sing-a-longs — are contagious and will undoubtedly leave you in that lovely state of post-concert haziness for weeks to come.
It doesn't seem like a priority for Real Estate to get caught up in the current trends in music nor to participate in the whirlwind of genre switching and forced innovation embraced by many of their indie contemporaries. They have found a sound that is comfortable for them and it is definitely a sound that feels comfortable to listen to. They have perfected the jangle pop style conceived by their predecessors such as The Smiths and R.E.M. and like these bands they have also refined their lyrics into serious commentaries of their surroundings and themselves. The self-introspective and sincere tone of their lyrics is often at odds with the breezy laid back feel of their music. However this incongruity provides real depth and character to their music. You can enjoy the pretty and calming effect of their sound, but also be challenged by the lyrical contents.
Their music does not often step outside the parameters of indie jangle pop; however there are enough alternations in their sound to keep the audiences' perpetual interest. Most of their tracks are wrapped in an ultra-relaxed quality laden with warped chorus effects and shimmering crescendos. However you can also expect to hear songs that will send a jolt of energy through your body like the hard driving track "It's Real." Things might even get slower as indicated on such songs like "The Bend", which is set to the slow strumming of Courtney's acoustic guitar, Kallman's dream like piano chimes and Modanile's shimmering spurts of guitar.
Real Estate offers an environment where you can simply relax and take in the music. It is a perfect setting to lounge in a plaid shirt, sport Allen Ginsberg style glasses and sip on a Pabst Blue Ribbon. There are no inconspicuous expectations, no stresses just the pure and sweet feeling of letting the music wash over you.