Craig Morgan

Born in Tennessee in the 60s, Craig joined the forces at age 18 when he became an emergency medical technician and served over 9 years of active service and a further 6 and a half in the reserves. When he returned home he supported his family by working a variety of average jobs but he was slowly moving towards his goal of working in music, picking up a job at the heart of country, Nashville, where he sung demos for other artists.

His debut, self-titled album was released in 2000 and earned Craig praise for his strong singing voice but failed to make a commercial impact. Following the closure of his first label, Craig was picked up by Broken Bow records who released ‘I Love It’, Craig’s second album. This album gave Craig his first real taste of commercial success when single ‘Almost Home’ hit number 6 on the country charts and 59 on the Billboard hot 100.

This paved the way for his third album ‘My Kind of Living’ which, spurred on by the success of first single ‘That’s what I love about Sunday’, hit number 7 on the charts and eventually turned gold.

From here on, Craig has continued to ride the wave of success his third album brought around however, he still finds time to help out his fellow countrymen. He is renowned for his charitable exploits and he even rescued two children from a house fire and proceeded to help douse the flames. What a hero.

Encouraged to pursue music by his father, Gill learned to play a number of instruments including the banjo and guitar. The first band the singer played in was called The Bluegrass Revue in the tail end of the 1970’s and later Flock the Mountain Smoke who opened for Pure Prairie League and Kiss.

After graduating from high school the singer moved around, first to Louisville, Kentucky, U.S. to play in the band Bluegrass Alliance and later Los Angeles, U.S. in the group Sundance. Gill then auditioned to play in Pure Prairie League who remembered Gill’s high school band and made him the lead singer. After three successful albums and the smash hit “Let Me Love You Tonight” Gill departed in 1981 and joined Rodney Crowell’s backing band entitled the Cherry Bombs.

Shortly after Gill secured a solo deal with RCA and released his debut mini-album “Turn Me Losse” in 1984, drawing inspiration from his country-rock roots. His first Top 40 hit “Victim of Life’s Circumstances” was ahead of the 1984 album “The Things That Matter", and his first Top 10 came with a duet alongside Rosanne Cash with the song “If It Weren’t for Him”.

Gill continued his moderate success with 1987’s “The Way Back Home” but left RCA in 1989 to join MCA. The debut release for MCA “When I Call Your Name” (1989) represented Gill’s first taste a stardom, the title track was a breakthrough for the country singer, reached No. 2 in the Country Chart, and subsequently won Gill his first Grammy.

The singer’s follow-up “Pocket Full of Gold” was another platinum selling album led by the smash-hit singles “Look at Us”, “Take Your Memory” and “Liza Jane”. The album was bettered by his 1992 release “I Still Believe in You”, the title-track ballad gave Gill his first No. 1 single, spawned a number of other chart singles, and eventually sold over four-million copies.

Not content to be pigeonholed a solely county star, Gill released the holiday album “Let There Be Peace on Earth” (1993), the pop-inspired “When Love Finds You” in 1994, and 1996’s bluegrass album “High Lonesome Sound” which received a good deal of critical acclaim and paved the way for Gill’s most revered release.

“The Key” released in 1998, documented his marriage and the ultimate break-up of his marriage to Janis Oliver. The album became his first to top the country charts and saw a more hardcore country approach taken. Gill’s subsequent album “Let’s Make Sure We Kiss Goodbye” (2000) describes his new romance with Amy Grant and was awarded four Grammy nominations.

Since then the singer has released 2003’s “Next Big Thing”, which he produced himself, 2006’s “These Days” and ambitious four-disc release, 2011’s “Guitar Slinger” and 2013’s “Bakersfield”, a collaboration with guitarist Paul Franklin.