Brandi Carlile, Indigo Girls, I'm With Her, Bonnie Raitt, Sara Bareilles, and LN Box Event

Musical pretty much since birth, Brandi Carlilie grew up listening to the likes of Johnny Cash and was encouraged to perform regularly by her mother. Learning the guitar in her teenage years, Carlilie began to take her craft more seriously and even dropped out of high school to pursue her musical passions.

Moving to Seattle, Brandi Carlile was picked up by Columbia Records in 2004 after she was seen performing at a series of music clubs throughout the city. A year later, the singer released her eponymous debut album with the label. The record was well received and won Brandi Carlile a large fan base after the album peaked at number 80 on the US Billboard 200 chart and hit the number one spot on the US Folk charts.

It wasn’t long until Brandi Carlile followed up the success of this first album with her 2007 release, “The Story”. The album peaked at number 41 on the US Billboard 200 and sold over 300,000 copies. Multiple tracks from the album were used in commercials and on television shows such as “Grey’s Anatomy”. She was also named one of Rolling Stone’s “Top 10 Artists to Watch in 2005”.

These opportunities introduced Brandi Carlile to a wider, commercial audience and this in turn helped her next two albums, 2009’s “Give Up the Ghost” and 2012’s “Bear Creek”, hit the top 30 on the Billboard 200 and the top five on the US Folk chart. “Bear Creek” actually hit the number one spot on the US Folk chart.

Brandi Carlile has toured alongside Ray LaMontagne, Hanson, Indigo Girls and Tori Amos. In 2014, Brandi Carlile was invited to sing the National Anthem at the NFL Playoff game between the Saints and the Seattle Seahawks.

The duo first became friends in elementary school and their friendship grew after both attending the same high school and after bonding over a love of music, they began performing together on the local Atlanta circuit. They then went on to attend the same university in Georgia where they were first known to be billed as Indigo Girls at their weekly shows at The Dugout, a bar in Emory Village.

They produced and released their own debut album in 1987 and this won them attention of labels, securing a record deal the following year. Their second album was self titled and upon release with Epic Records, it charted at #22 on the US Billboard charts. Every album since that release has charted within the top 50 of the Billboard chart, with the 1994 'Swamp Ophelia' remaining their peak at #9. In 2007 the band cut ties with major labels and went back to self-releasing their albums.

Amy Ray has also had a solo career outside of Indigo Girls and promotes independent musicians through her own non-profit organisation. Sailers is a published author and also an entrepreneur in the restaurant industry. Both women identify as lesbian and are ambassadors for LGBT rights along with environmental and political causes close to them.

Bonnie Raitt could well be the last major artist discovered in the New York folk scene, despite the fact that she’s a California girl born and raised. However, since her father was a succesful Broadway star, I suppose it was only a matter of time before his offspring went back to perform there. The young Raitt picked up the guitar at an early age, when she was given a Stella guitar for her 8th birthday to be precise. However, it wasn’t until she moved to the East Coast to attend Radcliffe College that she started performing, inspired as she was by her friendship with Dick Waterman, an old school bluesman, and a semester spend with him and some musician friends in Philadelphia.

I bring up the New York folk scene not because she was a singer songwriter plying her trade in the big apple, but because her first break was being spotted by a Newsweek journalist performing in the legendary Gaslight Café. This was in 1970, the year before the café closed, and very soon afterwards she was being courted by a number of record labels. She chose to go with Warner Bros., who released her debut album “Bonnie Raitt” in the winter of 1971. At the time there were very few women getting recognition for their guitar skills, but Raitt was far more than a novelty, and became critically acclaimed for her abilities as a guitarist, singer and interpreter.

However, critical acclaim doesn’t pay the bills, and though her first three records were raved about critically they weren’t selling anywhere near as much as they should have. By 1974 she was trying to experiment with a more mainstream sound at the time with her album “Streetlights” and its follow up “Home Plate”. Unfortunately that led to her losing the critical notices that she’d gotten early in her career, even a 1975 cover feature in Rolling Stone magazine couldn’t reverse her fortunes. Things were not looking good, but fortunately her 1977 “Sweet Forgiveness” saw her score her first true hit with a cover of Del Shannon’s “Runaway”.

The critics might not have been enamoured, but it revitalised her commercial fortunes, and led to a major bidding war between Columbia and Warner Bros. for her record deal. The WB won out but her luck was to end there, and neither of her follow-up albums sold anywhere near as much as her label hoped. In 1983, Raitt was finally dropped from her label, while in the midst of mounting drug and alcohol abuse problems. It’s a massive testament to her self-belief and strength that she was able to find a way out of a hole that many others would lose themselves in, and by 1987 she was clean and sober.

It still didn’t solve her commercial issues though, and after the failure of 1986’s “Nine Lives”, she was out of a contract with Warner Bros. However, in one of the most heartening comebacks in rock history, 1989 saw the release of “Nick Of Time”, an album that swept the board at the 1990 Grammy awards and topped the charts very soon afterwards. The 1990’s were uniformly kind to Raitt, with its follow up “Luck Of The Draw” selling bucket loads and netting Raitt another fistful of Grammys. 1994’s “Longing In Their Hearts” did the same. Two decades after her career began, she was the success she should have been ever since the mid-seventies.

Ever since then, she’s continued to be as succesful as they come, hailed for her guitar skills, her primal holler and her unrivalled way with a lyric. Her story continues to be one of the most inspiring ones around, and in concert, anyone can see just how utterly deserving she is of her success, no matter how late it might have come. Highly recommended.