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Born and raised in Waterhouse, Kingston, where fellow reggae artists King Tubby, The Jays, and Junior Reid also grew up, Carlos began singing from a young age. In 1973, alongside Garth Dennis and Derrick Simpson, Carlos formed the reggae group Black Uhuru and contributed to the recording of the 1977 album “Love Crisis”. Despite this, Carlos only appeared on one single for the group, after which he went solo, releasing his debut album “Suffering” in 1981 on Negrus Roots Records.
The same year he began collaborating with vocalist and co-writer Gold, whom Carlos released six albums with including “Them Never Known Natty Dread Have Him Credential” in 1981, “Ghetto Living” in 1983, and “Ease Up” in 1994. The singer however continued to release a string of solo albums, significantly raising his profile, beginning with the acclaimed “Day to Day Living in 1982. Subsequent solo albums included “Harvest Time” in 1982, “Pass the Lazer Beam” in 1983, “Just a Passing Glance” in 1984, and “Deeply Concerned” in 1987. With a growing reputation as a revered reggae star, Carlos was able to collaborate on albums with the likes of Earl Cunningham and Charlie Chaplin, Culture, Anthony Johnson & Little John, and Junior Reid.
Reluctant to rest on his laurels with the beginning of the ’90s, the singer continued to release new material including 1998’s “7 Days A Week” and the Don Carlos and Gold album “Ease Up” in 1994. After almost two decades, in 1990 Carlos returned to Black Uhuru and released the album “Now” earning the group a resurgence in popularity.
Ervin Spencer better known by his stage name Don Carlos is one of Jamaica's most globally recognised Jamaican exports. Although he never achieved the commercial success of Bob Marley or his family brood, Carlos commands a following all of his own and now at the age of 63 he is considered a father figure of the genre. There is clearly something in the touring routine that is keeping Ervin young as he continues to appear onstage in animated fashion with a fair amount of dance moves and grooves of the hips for a man of near pensioner age.
He absolutely loves charming the female frequenters of the crowd and will often choose to serenade the front row with smooth versions of 'Changes (Things In Life)'. His vocal sounds gritty at times and rough but I suppose when you have been performing night after night for over forty years, it will of course show some signs of wear and tear. Fortunately the tones of 'Movin To The Top' overshadow any signs of vocal issues and complete with steel drum percussion, it has the whole crowd moving along with the likeable and laid back frontman as he transports them to the white beaches of Jamaica.