Pour les fans de Rock.
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Prior to Cancer Bats’ earliest incarnation, singer Liam Cormier and guitarist Scott Middleton had played in the Toronto-based heavy metal band At the Mercy of Inspiration. Looking to craft a heavier, more elemental sound, with inspiration drawn from Refused, Black Flag, and Led Zeppelin, the pair formed Cancer Bats and invited bassist Andrew McCracken and drummer Joel Bath to the lineup. By January 2005 the quartet had produced a self-released demo, after which Mike Peters replaced Baths on drums. Cancer Bats subsequently began honing their live skills by performing across Southern Ontario alongside the likes of Billy Talent, Every Time I Die, Alexisonfire, Gallows, and Rise Against.
In June 2006 the band released their debut record “Birthing the Giant” featuring guest vocals from Alexisonfire’s George Pettit. Earning a host of positive reviews, the album spawned the singles “100 Grand Canyon”, “French Immersion”, and “Pneumonia Hawk”. Following the release bassist McCracken departed to focus on his design company, who was temporarily replaced by Jason Bailey, before Jay R. Schwarzer took over the reigns in late 2007.
Cancer Bats’ sophomore full-length “Hail Destroyer” arrived in April 2008 receiving a plethora of critical acclaim. With features from Rise Against’s Tim McIlrath, Alexisonfire’s Wade McNeil, and Billy Talent’s Ben Kowalewicz, the record was supported by an extensive tour including dates at Download Festival and Reading and Leeds Festivals. Following a further period intense touring Cancer Bats issued their third studio album “Bears, Mayors, Scraps & Bones” in April 2010. The group subsequently performed as “Bat Sabbath”, a Black Sabbath tribute band, at the Sonisphere Festival in July.
The full-length “Dead Set on Living” was released in early 2012 marking a more upbeat direction for the band. Led by the single “Old Blood”, the record draws influence from indie rock bands including Fleet Foxes, and was supported by playing five shows in the shape of a pentagram across the UK.
2004, the year that one of Canada’s finest exports was born (and no I’m not talking about Bieber!), Cancer Bats. Fronted by vocalist Liam Cromier, this metalcore four piece have often been compared to early Converge, Hatebreed and Refused. As part of the campaign for the 4th album, Dead Set On Living – the band announced a string of shows, but this was no ordinary tour. They would play 6 shows in 5 different venues around London (travelling in path of a pentagram) in 1 day. Utter madness, but a stroke of genius at that. It saw the band using public transport to get to the venues whilst their backline were transported by vehicle. Despite the theoretical logistical chaos, Cancer Bats went above and beyond maintaining the energy levels throughout, giving the fans an admirable display of carnage and showing no signs of tiredness. With their individualistic style on their cover of Beastie Boys classic “Sabotage”, Cancer Bats make it their own whilst still remaining true to the original. Tracks such as “Hail Destroyer”, “Lucifer’s Rocking Chair” and “PMA til I’m DOA” create a storm with Cormier jumping around the stage and head-banging and enthusing the crowd to take part in mosh pits appearing left, right and centre. Playing festivals such as Taste of Chaos, Hellfest and Download, Cancer Bats put 100% into each and every show creating a spectacular energy fuelled performance. If you came to party, Cancer Bats will show you one hell of a time.
When artists fuse genres to create new and exciting music, it’s a demonstration of great skill and talent, and Ignite’s creating of their melodic hardcore music is something that I thoroughly enjoy, and has now become a mainstream genre. I’ve seen them perform countless times over the years, and they always put on a great show: they’re performance dedication and technique is of incredibly high standards, and they give every performance 110%, which is always completely contagious to the audience, who dance and sing along from start to finish.
They opened the show with their track Ash Return from back in the day, and had everyone singing along right from the outset. Their skills on their respective instruments are incredible, and some of the solos that they performed totally blew me away. Nik hill played an awesome solo, whilst Zoltan Teglas sang some incredibly high notes over the top, causing the audience to go crazy. It’s great that they put different spins on their music from the recordings, giving everyone something to really get excited about at their shows. Although their line up has altered considerably over the years, the band are all tight together, and you really wouldn’t know that they weren’t the original group.
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