Sublime, Slightly Stoopid, Stephen Marley, The Elovaters, Pepper, DENM, Band of Gringos, et Boostive

In a way, this band could only hail from a place called Open Beach. The uniting thing about their music is its sense of carefree abandon; it’s the sound of an endless summer, a spring break that’s everything you could possibly want and more. Needless to say, it’s pretty awesome that way.

One of the most impressive things about the band is that in their nineteen years as a band they’ve been built around the same core duo of founding members, multi-instrumentalists and childhood friends Miles Doughty and Kyle McDonald. Their chemistry and artistry, not to mention their friendship, have been the driving forces behind the band in a way that few bands before or since have replicated.

They formed the band in high school and soon afterwards they were discovered by Sublime frontman Bradley Nowell, who signed them to his label where in 1996, they released their debut album “Slightly $toopid”. They’ve since released a total of seven studio albums but for all their quality and experience as musicians, it’s the bands live show that’s made them the band they are to this day.

Few bands have a more welcoming, inclusive spirit at their shows than Slightly Stoopid, both the founding members of the band credit their fans with making them what they are today. That gratitude is pretty much tangible when they perform, and they give back in turn with every riotous skank, every crowd surfing bass player, and every ounce of positivity they possess.

They may be a cult band, but they’re the kind of cult that welcomes newcomers of all shapes, sizes and colours. Anyone would do very well to be a part of it the next chance they get.

“Anything that sounds good is good,” says Stephen Marley, paraphrasing Duke Ellington. Don’t be surprised to hear the King of Reggae’s son referencing Harlem’s master of the jazz orchestra. Never one to limit his musical horizons, Stephen has always listened without prejudice, letting his inspiration set him free as a singer, songwriter, musician, and producer—whether collaborating with his illustrious musical family, or with Lauryn Hill, Nas, or Erykah Badu.

Beginning his lifelong musical journey at the age of six, Stephen shared historic stages with his legendary father and toured the world with his brother Ziggy and sisters Cedella and Sharon, The Melody Makers. The Tuff Gong instilled in all of his children a strict work ethic and an awareness that “music is way more than just music.”

Over the past 45 years, Stephen has won no fewer than eight Grammy Awards—three with The Melody Makers, twice as a producer of his younger brother Damian Marley, and three times as a solo artist. Every one of his solo projects to date has topped the Billboard Reggae charts. Stephen Marley’s place in music history is already secure. He does not really need to push the envelope, to defy expectations, to let the whole world into his world. And yet that is just what he’s decided to do.

Stephen Marley’s highly anticipated new single Old Soul just dropped on his birthday April 20, 2023; the first work off his new studio project in 5 years which is set to release later this year --and comes as a complete revelation and many new surprises.

Stephen is excited to bring another ‘Babylon By Bus’ Summer Tour on the road this summer!!

Stay tuned for more updates and music coming soon, visit stephenmarleymusic.com for more information.

Along the way, Pepper has sharpened its own "Kona dub-rock" sound — a blend of reggae, alternative rock, island rhythms, and punky spirit — while also building a community of fans and likeminded bands.

That communal spirit runs throughout the band's eighth studio album, Local Motion. After sharing shows for years with their heroes and peers, Pepper's three members — vocalist/guitarist Kaleo Wassman, vocalist/bassist Bret Bollinger, and drummer Yesod Williams — are no longer merely artists; they're ambassadors of a scene, bringing people together under an umbrella of positive-minded music and collaboration. Appropriately, they share the spotlight with some of their longtime friends on Local Motion, whose songs feature appearances by Stick Figure, E.N Young, Micah Brown, Iration, The Green, Tribal Seeds, and Reel Big Fish's Billy Kottage. A celebration of artistic synergy, brotherhood, and modern reggae music, Local Motion is Pepper's most collaborative record to date, shining a light not only upon the three bandmates themselves, but also upon the wide community they've helped build.

"We're part of a community of bands who have the same mindset," says Wassman. "They're our peers. They're our friends. We all exist on the same plane, and that's why we called this album Local Motion, because this is our local scene. It's where we fit in."

Before Pepper began building a community in its adopted hometown of Southern California, the group held its very first rehearsal in 1997 in Kailua-Kona, Hawaii. All three members were natives of the Big Island, and together, they made a sound that nodded to their tropical roots while also moving forward into new territory. After earning a local fanbase in Hawaii, they moved to the mainland, where Pepper quickly became a popular live act. Pepper's diverse music allowed the group to tour the country with a wide variety of bands, including reggae icons (The Wailers), punk bands (Pennywise), reggae-rockers (311, Slightly Stoopid), and hip-hop legends (Snoop Dogg). Meanwhile, the band's admiration for DIY-minded groups like NOFX inspired Pepper to launch its own label, LAW Records, which gave the trio complete control over its own music. It also allowed the band to sign other acts, which expanded Pepper's circle even further.

For an album that features nearly a dozen guests, Local Motion was appropriately recorded with several producers, including Stick Figure, the English Beat's Wayne Lothian, E.N Young, Henry Fong, Jinco, the Dirty Heads' Dave Foral, and Jungle Josh. Working with a range of collaborators gave Pepper a chance to experiment with new sounds. The result is an album that pays tribute to the band's past while also pushing forward — and, perhaps, hinting at what might be in store for the next 20 years. There's the brass-filled bounce of "Carnaval," the sexed-up swagger of "Sugar (808 remix)," and the summery grooves of "Warning," all wrapped into a tracklist whose songs celebrate the bright side of a life well-lived.

"When we moved to California, we were playing small clubs," remembers Bollinger, who now plays outdoor amphitheaters, indoor theaters, festivals, and other high-capacity venues with his bandmates. "We felt like we were one of the only bands carrying the flag for this genre in America. These days, it's different. We're seeing some real movement within the reggae scene. This sound has become an established part of American music, and we're grateful for the other bands who are flying the flag, too. Everything is connecting. The energy is right. Incorporating those bands into our new record was the perfect alignment of where we need to be."

"In a world of social chaos," adds Yes Williams, "we wanted a ‘return to community,' that community being the reggae-rock community. We continue to flourish and grow due to the synergy of likeminded bands and fans. Without each other, we are nothing, fom where the music comes from to where it goes. This record is filtered through the community, a true Local Motion that we are lucky enough to be a part of."