Para fans de Rock, Pop, Folk y Blues, y Indie y Alternativa.
genre_page_link
Having needed to make a choice between crime, the dole, football, or music, in 1982 four Clydebank High School attendees met and formed Wet Wet Wet. Drummer Tommy Cunningham and bassist Graeme Clark initially met on the school’s bus and soon became friends, shortly afterwards keyboardist Neil Mitchell joined the group, promising to supply keyboards with the money from his paper rounds. In the midst of his training to be a painter and decorator, lead vocalist Mark McLachlan was invited to join the group, followed a year later by Wet Wet Wet’s honourary fifth member Graeme Duffin.
Following two years of practice sessions and honing their songwriting skills, Wet Wet Wet made their debut performance at Glasgow’s Nightmares club. Around this time singer Mark McLachlan altered his stage name to Marti Pellow and the group inked a record deal with Polygram in 1985. With Polygram man Nick Angel as manager, the group issued their debut single “Wishing I Was Lucky” in 1986, which reached No. 7 on the UK Singles Chart. The full-length “Popped In Souled Out” followed in September 1987, spawning the subsequent hits “Sweet Little Mystery”, “Angel Eyes (Home and Away), and “Temptation”. Narrowing missing out on the UK No. 1 Album spot held by Michael Jackson’s “Bad”, the record introduced Wet Wet Wet’s style of pop, rock and jazz to a national audience.
1988 brought with it the band’s first No. 1 hit with a cover of the famous Beatles single “With a Little Help from My Friends”. Subsequently Wet Wet Wet issued the album “The Memphis Sessions”, a collection of songs recorded during their time in the U.S. The band’s official sophomore album “Holding Back the River” arrived in 1989 marked by greater use of string and classical arrangements. Like its predecessor the record peaked at No. 2 on the UK Albums Chart, aided by the hit singles “Sweet Surender”, “Broke Away”, “Hold Back the River”, and “Stay With Me Heartache (Can’t Stand the Night)”.
“High on the Happy Side” appeared in 1992 led by the group’s only self-penned No. 1 single “Goodnight Girl”. The day after the release, under the pseudonym Maggie Pie & The Impostors, the group released the special-edition album “Cloak & Dagger” featuring covers of songs by Elvis Costello, Carole King, Todd Rudgen, and Mose Allison. The greatest hits compilation “End of Part One” was released towards the tail-end of 1993, after which their cover of The Troggs’ single “Love Is All Around” made its way onto the “Four Weddings and a Funeral” soundtrack, greatly exposing the band. The single subsequently maintained its No. 1 Singles position for 15 weeks, paving the way for Wet Wet Wet’s fifth studio album “Picture This” in 1995. Held as one of Britain’s finest soft rock bands, the group released the album “10” in 1997 celebrating their decade atop the charts, followed by “Timeless” in 2007.
Frontman Martin Fry is the only permanent member of ABC, having never left the band since their formation in 1980; it’s also true that the band themselves have never officially disbanded over the course of their three-decade-plus career, which perhaps beggars belief given the undeniable fluctuation of the fortunes over the course of that time. They enjoyed their greatest success in the eighties - perhaps unsurprisingly, given the popularity of the new wave genre during that decade - and their 1982 debut album ‘The Lexicon of Love’ contains most of their early hits. ‘Tears Are Not Enough’ hit the top twenty in the UK, as did ‘Poison Arrow’, which would go on to feature in the eighties-set video game Grand Theft Auto: Vice City.
It was the 1985 record ‘How to Be a...Zillionaire’ was the group’s biggest success on the other side of the Atlantic, with the single ‘Be Near Me’ seeing ABC hit the top ten in the U.S. for the first time. Since 1990, the group has effectively only comprised Fry, but he continues to use the name to tour - he’s especially popular on the eighties nostalgia circuit - as well as record new material, with ‘Traffic’ released in 2008.
Born in Southport, Lancashire in 1957, Marc Almond moved around the north of England regularly before settling in Horsforth, a suburb of Leeds. Discovering British radio icon John Peel as a child, Almond developed an appreciation for the stage music “Hair” soundtrack, Fleetwood Mac, David Bowie, and Marc Bolan. During his time studying Performance Art at Leeds Polytechnic, the singer and performer met fellow student David Ball, with whom he subsequently formed Soft Cell in 1979.
In 1980 the pair signed to Some Bizarre Label and achieved great success with the singles “Tainted Love”, “Bedsitter”, “Say Hello, Wave Goodbye”, “Torch”, “What!”, and “Memorabilia”. Securing nine Top 40 singles and four Top 20 albums, Soft Cell ultimately disbanded in 1984, however reunited in 2001 to release the album “Cruelty Without Beauty”.
As a solo artist Almond has released a prodigious amount of music, which largely retain the art-aesthetic of Soft Cell releases however align more closely to pop. Almond’s debut solo album arrived in 1984 entitled “Vermin in Ermine”, and earned a string of esteemed reviews. Two albums on Virgin Records followed, “Stories of Johnny” in 1985 and, “Mother Fist and Her Five Daughters” in 1987.
Following a string of albums on Parlophone and Some Bizarre Label, Almond achieved his greatest solo success to date with his 1991 album “Tenement Symphony”. Two more albums on Some Bizarre Label followed before the singer-songwriter signed with Blue Star Music and released the records “Open All Night”, “Stranger Things”, and “Heart on Snow”. Maintaining his momentum well into the second decade of the new millennium, Almond went on to release the albums “Varieté”, “Feasting with Panthers”, “The Tyburn Tree (Dark London)”, “The Dancing Marquis”, “Ten Plagues - A Song Cycle”, and “The Velvet Trail”.
From the first piano chords and notes drifting from onstage to the last uproarious cheer from the audience, my experience seeing Wet Wet Wet live was truly phenomenal. Marti Pellow stood front of stage in black, matching his bandmates, pouring his soul into the microphone amidst a haze of fog and orange lights. The audience sang along with him, and he loved it.
During "Temptation," after swishing the microphone back and forth to the hits from the brass, he prompted the audience to sing along with him, and they joined back in, whistling and cheering in the process. One of the best parts of seeing a performance like Wet Wet Wet live is that the audience's energy adds so much to it.
As impressive as Pellow's long, sustained final note in "Temptation" was, it was amplified even more by the fact that the audience cheered and whistled along with him the whole duration of the note. Not only did the audience love Wet Wet Wet, they loved soft rock, and were there to support their love for music.
The large screen behind the band displayed varioius elemental ambient visualizations similar to the old visualizations in music players like Windows Media Player, which helped heighten the performance in a subtle way as well. It was a nice use of technology that didn't upstage Wet Wet Wet, while still adding to the show. Overall, I thoroughly enjoyed Wet Wet Wet live and would reccomend them to any lover of soft rock.
There’s probably no single genre of music that represents the eighties quite as accurately, or as obviously, as new wave; it genuinely is synonymous with the decade, and among its genuine success stories were ABC, who formed in Sheffield back in 1980, right in time for the sound’s explosion. Their debut album The Lexicon of Love was a huge success on both sides of the Atlantic, topping the charts in the UK and making the top twenty-five over in the U.S., and spawned a slew of hits that were not only successes in terms of sales and radio play at the time, but continue to stand up as classics of the genre today, especially their signature song ‘Poison Arrow’. Although singer Martin Fry now remains the sole original member - he tours with a new backing group for the most part, with David Palmer only briefly rejoining him as part of VH1’s Bands Reunited programme in 2004 - the ABC name continues to be used for both live shows and new material, with Fry still proving himself both an engaging frontman and a fine singer, too. They regularly line up alongside other eighties acts like T’Pau and Rick Astley, so there’s plenty of opportunity for a multi-faceted blast of nostalgia where their shows are concerned, too.