The original trio Stuart Braithwaite, Dominic Aitchinson, and Martin Bulloch joined forces in 1991 and began putting out music a few years later. Their single “Tuner”/”Lower” caught the attention of the public in 1996, along with the song “Summer,” which earned a mention in the British publication, New Music Express (NME).
Mogwai’s debut album “Mogwai Young Team” was released in 1997 with the joint efforts of additional members: guitarist John Cummings and drummer Brendan O’Hare. Their work hit #75 on the UK Albums Chart. Musical influences for Mogwai include The Cure, Joy Division, My Bloody Valentine and post-rock band Tortoise. Their music is characterized by extended instrumental guitar solos in post-rock style.
Mogwai’s sophomore album “Come On Die Young” came out in 1998 and upped the band’s popularity to #29 on the UK charts. The band brought on Barry Burns as a permanent member and featured Scottish violinist Luke Sutherland. At the turn of the century, Mogwai released their highest grossing album “Rock Action” which also became the name of their record label. The album featured guest vocalists and experimented with electronic elements while simultaneously staying true to their signature lengthy instrumental pieces (one song “My Father the King” is twenty minutes long!).
“Happy Songs for Happy People” was Mogwai’s first album to break into U.S. territory charting at #13 on the Billboard Indie Albums in 2003. Mogwai broke into the film industry in 2006 by providing the soundtrack to the movie “Zidane: A 20th Century Portrait.” Mogwai’s music is distributed through multiple international labels: firstly through Glasgow label Chemikal Underground, American labels Matador and Sub Pop, UK’s Play It Again Sam, and their own Rock Action Records.
It is fair to accuse Mogwai of setting the mood for their show; slow, melodic guitar play highlighted by forays into the heavier, more metallic side of music.
Their songwriting is top notch, with tracks like "Cody" that could break your heart with its tender melody. However, most folks go for the wall of sound that this band travels with from Glasgow. Check out "The Precipice" or "Rats of the Capital" for evidence... but even if you do, this will not prepare you for this band in person.
They play with passion and diligence... they also manage to f*ck it up on the regular. I've seen folks cover their ears cause it got too heavy, definitely proof that you're listening to the right band of Scots.
They usually play intimate venues, but can more than hold their own at any festival; a great band to take in live, if you ask me.