Bill Callahan and Nathan Bowles

Callahan’s early musical endeavours were defined by his lo-fi, experimental approach using substandard instruments and poor quality recording equipment, given it was all he had. His string of early releases, all under the moniker, including his debut album “Sewn to the Sky” (1990) are distinctively instrumental albums, featuring discordant and dissonant sounds that often went without much melodic structure.

After the release of his debut, Callahan signed to Drag City, where he had access to professional recording equipment and a cache of musical instruments that helped highlight the musician’s talent and creativity. He then went on to release 12 albums under the Smog pseudonym, worked with esteemed producers such as Jim O’Rourke and Tortoise’s John McEntire and collaborated with then partner Cynthia Dall. His later albums under the Smog name are distinct from his earlier work in that it returns to simpler instrumentation but retains the strong and interesting songwriting fans had come to expect.

In 2007 Callahan released his debut album under his own name entitled “Woke on a Whaleheart” and featured a similar musical aspect to Smog’s later albums whilst combining rich textures of soul and gospel genres. It’s follow-up, 2009’s “Sometimes I Wish We Were an Eagle” included luscious string and brass arrangements by Brian Beattie and around the same time Callahan contributed songs to four tribute albums for Judee Sill, Kath Bloom, Chris Knox and Merge Records.

In 2010 the musician released the live album “Rough Travel for a Rare Thing” and in the same year his debut novel “Letters to Emma Bowlcut”, also released via Drag City, which was a 79-page novelette comprised of a multitude of letters to and from a woman he met at a party. Callahan has subsequently released the albums “Apocalypse” in 2011, “Dream River” in 2013 and “Have Fun with God” in 2014 and achieved a cultish and esoteric following of supporters.